Tuesday, November 17, 2009

Book Review: Queen of Kn-Yan


Queen Of Kn-Yan
By Asamatsu Ken (Translated by Kathleen Taji)
213 pages
Kurdahan Press

Some of the most bizarre films the world has ever seen came from the small island of Japan. Some of the nastiest and most ear damaging punk rock have come from the same island. Attention has been paid to Koji Suzuki the horror fiction author of the Ring series which is J-horror's most famous export. Several of Suzuki's novels have made it into english, but I very interested in going further with Japanese horror fiction. Why not a Japanese take on one of the 20th century American horror mythos of H.P. Lovecraft?
That is what this novel Japanese horror author Asamatu Ken is.
Lovecraft reinvented the horror fiction genre in the the early half of the 20th century by excusing himself from the traditional tropes of vampires and werewolves. He created a his own mythology of cosmic monsters who very existence was hard for the human mind to handle. Well I often think of those mythos being placed in Lovecraft's native New England authors around the globe have been playing on Lovecraft's unhollowed ground since he was alive.
The man encouraged other writers to create with the mythos. I am not sure Lovecraft who at times had some nice things to say about the Japanese (but mostly racist things) would have felt about the translation. None the less Ken has created an excellent mythos story that as fan of asian cinema feels of it's culture.
The story centers around A biologist named Anri Morisita who is hired by a corporation to study the remains of a mummy unearth in China. The setting in the JGE's headquarters named the Leviathan tower reminds me of a Clive Barker influence. On the inside the building with various elevators connecting only certain floors with each other seems perfect for a Resident Evil style game.
Anri is a well developed character who has flashbacks to the cruel treatment of pre-WW II chinese at the hands of the Japanese. It suggests a deeper plot, but one of the few weaknesses of the narrative is the Flashbacks happen so fast. Written with no narrative transition I often got confused and had to scan back. After it's established in the novel that is less of a concern. Anri is hired to do research on the impossibly old Mummy.
As the research continues the corporation and it's motives are revealed with it's knowledge of the the mummy's ancient origin. This sets up an amazingly timed and delivered chapter break at the end of the fifth chapter. This is a short and effectively written story that deserves it's place as one of the finest modern takes of the Cthulhu mythos. Lovecraft devotees should not miss this book.
Beautifully packaged with amazing artwork by Kojima Ayami the Queen of Kn-Yan is textbook example of why we need a healthy and thriving small press. Kurodahan press has translated and provided a book that no major publisher in New York would bother to give but it is an important and fun book none the less.
Libraries in Japanese districts and ones interested in having a complete and diverse genre collection should get this book for sure. This is an excellent work of horror fiction and it tells me that I should be investing the collections of Japanese mythos fiction released by the same press and edited by the author.

http://www.kurodahan.com/mt/e/

Check out their books for sale online or request them from your local library! I am reviewing another selection from the same press next month. An anthology of Japanese Science Fiction. Looking forward to that!

Sunday, November 8, 2009

Book Review: Silent Weapons for Quiet Wars By Cody GoodFellow


Silent Weapons for Quiet Wars by Cody Goodfellow
195 pages
Swallowdown press (www.bizarrocentral.com)

I gotta be careful here. More than once Cody has been victim to the hype machine that his dedicated readers get on. Few writers in our generation of horror practitioners have received the kinda of admiration that mister Goodfellow has. It is hard to describe Goodfellow's writing without sounding over the top or hyperbolic. The man is a diabolical genius, all fiction offers us a chance to look into the world of the authors imagination, and if you want to visit a strange, scary, and messed up place look no further. I am convinced now that I don't really want to know what Cody was up to before he settled down to raise children and horror novels.

Up front I should say that when I lived in San Diego I was a part of tight knit short lived community of horror fiction writers who hung out and read for each other. So the genius of Cody Goodfellow's short fiction was well know to me before this – his first collection came out. I also made a point to track anthologies and collections with his work in it. Before Silent Wars appeared in a sack at my door step I had only read two of the stories. Contained are 15 short stories and an introduction by Cody's writing partner splatterpunk legend John Skipp. An afterword by Swallowdown master of ceremonies Bram Stoker award nominated Jeremy Robert Johnson.

This collection is grounded in southern California the same way Stephen King collections are grounded in Maine. The sunshine doesn't dull the horrific settings and gives each story a warm brown dusty feeling. At least four times I read stories that I thought, oh yeah this is the best of collection. As the stories tick away the quality never wavers. I might have to agree with Skipp's introduction that the magna mater is the best classical horror story here. It was perfectly written Twilight zone style classic that just happens to be about a coin operated video porn booth. El Santero is great story set on the nastiest border crossing in the world, Drop of Ruby is a re-ainimator style mad scientist tale, and In his wake is a great tale of goth stardom gone bad and is among my favorites. Not to mention a cleaver about the author at the end.

This is more than Lovecraft on acid, this is Lovecraft after a smack bender in Tijuana, one where he wakes up handcuffed to bed and covered in someone else's blood. Goodfellow's fiction has the otherworld -ness of Lovecraft, the sarcasm of Joe R. Lansdale, the mojo of a motley Crue tell-all and best of all it's wrapped together with prose that would satisfy fans of high literature in horror.

Is this an over the top review? I don't think so, I think if you take my advice and buy this collection, read it cover to cover you'll join the cult of Cody.

Tuesday, November 3, 2009

Review of the new V



As a kid there was only one show that came close to Star Wars in my love. That show was V. I had every hour of both mini-series and even the horrible weekly show all on Beta-max. I had a V pulse rifle that I could take apart, a visitor punching bag. I even had a mothership technical manual that I sent away for after I saw a classified ad in the back of Starlog. I was a V Geek.

Sure I loved the story, the gun battles, and the spirit of resistance even as a kid. I actually consider V a huge part of how I developed such a radical spirit. Over the years I returned to the Mini-Series in the nineties and found a totally different film. Suddenly I understood on a deeper level what Director Kenneth Johnson was trying to say about Nazi Germany.

Don’t look down on the Germans because it could have just as easily been us. This hit home even harder when I happened to watch it with friends in October 2001. Our country had lost it’s damn mind. Members of my very liberal family were calling for muslam blood and Indiana was awash with flags everywhere. GW was just starting to mold his bullshit Iraq agenda. V was more powerful than ever.

To this day I can always watch V. I always find something new. It’s like a song I love to sing along to because I know every word, every beat. So as much as I love the final battle (the official TV sequel) I have to admit it's cheezy-ness with half lizard human star children and corny red dust balloons doesn't hold up as well. They went on to 13 or so episodes of a TV show that about as corny as the season of Dukes of Hazard season where the cousins with same hair color showed to drive the general lee around for no good reason.

In 1999 My friend Ryan Downey won an E-bay auction on Visitor punching bag and we had a long discussion about V on a Drive back from Syracuse to Indiana. I told him how badly I would love to re-make V as modern TV show. Shows were just starting to do season long arcs telling stories over epic novels. Star Trek Deep Space Nine had successfully rolled out a story over it's seven years and at the time it was my favorite show.

“Just think about V done that patiently,” I told Ryan. You could spend a season exploring how Fascism weaves itself into mainstream acceptance. We talked about how cool it would be to let the resistance grow not in two hours but over 20 hours in the first season. How you could watch characters grow from living their daily lives to full blown resistance members. Eventually they would sacrifice maybe even become suicide bombers, would that be challenging for an American audience?

In 2007 I introduced my buddy Randall to V something he was too young to have seen as a kid. He loved it. And we talked my many ideas for a V remake. I often told him that if I could have a dream job in the universe it would be to be the show runner or a staff writer on a V remake. I never honestly thought anyone would do it.

So Obviously ABC has done it, I didn't get that job. Here is my long winded verdict. I am am 50/50 on the pilot episode. I will watch it. It's OK, more entertaining than most TV these days but I have serious problems with the show.

SPOILERS....

What I didn't like: My first reaction is slow down. In 1985 when they first attempted to do V TV shows were supposed to have a clear ending each week. Shows like Lost and 24 have shown you can tell an on-going story. So It would have been nice have the first episode of the new V be about the day they arrive. I understand that is a premiere and you want to hook viewers with an exciting opening. But how silly was it to have 29 massive alien space craft show up and after the first commercial break skip ahead three weeks. So really nothing important to the story happened in that first three weeks?

To me this is lazy writing. A whole hour could have been made exciting out of the arrival. Certainly it would a terrifying event and is ripe with potential drama. Honestly ABC should have given the pilot TV shows.

They did an serviceable job with the characters, introducing them and giving them some humanity. However to introduce all the characters, have aliens show up on earth and launch a resistance in 45 minutes. Too much.

What I hated: Calling the visitors V's. The name V wasn't about them. It was about the resistance. It was about the spirit of the people fighting back. The idea that V would be spray painted by the so called peace ambassadors, which is the modern shows take on the visitor youth was silly. Outright stupid. At the end of the Visitor speech when all the new yorkers cheered. Give me a break.

What I liked: setting the show in New York was a smart move. It makes more sense than the LA setting of the original show. What of the finest pieces of V fiction was the early V novel East coast crisis ( AC Crispin and Howard Weinsten) which followed the same time line as the original mini-series in New York. A must read for serious V fans. Good luck finding it, and I wont sell you mine.

The Firefly lady as the alien leader. She was creepy.

The visitor infiltration storyline is brilliant. While it could easily be compared to the cylons clone storyline in Battlestar it is a smart way to update the show and add tension. People you have loved and trusted might have been visitors all along. Too bad the writers and network weren't patient enough to roll that mystery out over a season. That is what makes Lost and BSG so good. It also makes sense that the visitors would create chaos, war and disease so they could offer us salvation. Why don't we just hand you our planet.

While it is smart they completely fucked it up. I think the producers, writers and network screwed this up putting all of their cards on the table. Bury the lead people. It's like doing a synopsis as the first chapter of a novel. What if in the first episode of Lost, they had introduced the others, their camp, the hatch, etc., etc., The show is good because they started with a mystery and let it unfold. BSG worked because even if you have seen the original there was a new mystery(Who are the cylons among us?). The new V has a perfect idea for a mystery but blows it open completely with the first 45 minutes.

Make the characters compelling, show me a hint of genius and I'll go along for the ride. Lost as a show is structured like a novel. Each episode is like a chapter. V needs to slow down and take that approach.

There is good news. In the last week, the writer of the Pilot Scott Peters( The 4400) was fired from the show. They stopped production after four episodes. To most shows that is a bad sign, but considering how awful the first episode's writing is. I am ok with that dude getting the can. I like the casting and the look of the show, lets get a better writer. It appears ABC has hired Chuck Rosenbaum who wrote for NBC's Chuck(which I have never seen) to run the show. Hope that helps. they should have hired Ronald D. Moore or JJ Abrams as consultants. I'm cheaper though. ;)

I'll keep watching but so far I think the 1983 mini-series kicks the crap out of this new one.

Monday, October 26, 2009

Found a Great review of Screams from a Dying World


What would get if you crossed Derrick Jensen with Philip K. Dick and Stephen King? As far as I can tell, the answer just might be: David Agranoff. I just finished reading his latest fiction collection, Screams from a Dying World (Afterbirth Books). It’s a scathing critique/salient analysis of pre-collapse America...all dressed up in a sometimes gory and graphic horror/sci-fi cloak. Cell phone towers are downed, trees are clear cut, genes are spliced—and that’s just the beginning. Agranoff brings his vegan, non-sexist, pro-justice, anti-civ sensibilities to every story but best all, he’s an excellent writer and storyteller first and foremost. The closing story, “The Network,” is a tour de force not to be missed.

Highly, highly recommended...

-Mickey Z author of CPR for Dummies

Source: http://www.mickeyz.net/news/mickeyz/fullarticle/screams_from_a_dying_world/

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Thursday, October 22, 2009

Book Review: Sideshow PI - the Devil's Garden


Sideshow P.I. - The Devil's Garden By Nathaniel Lambert and Kevin Sweeney
Graveside Tales 155 pages
$10.95

Eddie Ghash is down on his luck, after losing his job in show business he spends two years drowning himself in drink before deciding he needs a new vocation. He is going to be a private detective. Eddie you see works the beat in New Ramoth, a freakazoid city filled with biazrro charcters. Perfect beat for a dog faced boy whose carnival freak show went bust. He learns everything he needs to know from THE IG'NANT ASS BITCHES GUIDE TO SLEUTHING.
This is high concept Pulp fiction noir style bizarro that only takes a few pages to build a universe that is filthy and disgusting. The pages are dripping with gore, goo and slime. It is so gross that it will take a reader with a healthy love of repulsiveness to be able to read it. If you can get with that you will find a lot to like this bizarro horror novel.
Introduced by the fantastic bizzaro literary flag bearer and horror master Gina Ranalli, that in itself is a sign that this good stuff. The two authors did a wonderful job of creating a mystery that involves a murder and conspiracy of biblical scope. Eddie and his former sideshow partners populate a bizarro city that is surrounded by rivers flowing with afterbirth. There are plenty of laugh out loud moments, and strange-ness but this short novel has several truly uncomfortable moments of effective horror.
This is one of the best novels to come out of the young literary movement bizarro. This is the first one from the growing movement where I could really see a series and lots of follow sequels coming naturally. The further investigates of the dog faced private dick are something I look forward. If you take my advice and make this book a hit!

Magazine Review Dark Discoveries #14 (Twilight Zone issue)


Dark Discoveries #14 (special Twilight Zone issue)

This magazine gets better all the time. While the content of Dark Discoveries has always been pretty good, some of the early issues had wonky lay-out and alot wasted space. There are only three Horror magazines I think are must reads that come out consistantly. The Book of Dark Wisdom, Cemetery Dance and Dark Discoveries. I used to believe Cemetery Dance was the best, but Dark Discoveries is heading to the top with a bullet. It reminds more and more of the 1980's wonderful Twilight zone magazine and has become a must read. It became the first to get a full on subscription from me.

The Twilight Zone issue is a must have for fans of the greatest Sci-fi show of all time. Co-editor of DD Jason V. Brock is in a unique position to be all over this issue. He recently finished a film with his wife Sunni about the short life of Twilight Zone writer Chuck Beaumont. He interviewed several members of “the group” an elite force of fantasists living and working closely together in LA. Part of Brock's interview with George Clayton Johnson(Co-author of Logan's run / the kick the can episode of TZ) is in this issue and it is fantastic.

Richard Matheson(I am Legend)'s classic short story that formed the basis of the classic episode nightmare at 20,000 feet. Jason Brock also delivers a great Matheson Approved sequel to the classic story called Black Box. William F. Nolan (Logan's run/ Dark Universe) delivers a teleplay for a lost TZ episode based on a Charles Beaumont short story called “Free Dirt.” Apex press editor Jason Sizemore has a very short tale called City Hall and lots of TZ articles.

This is a great issue for any horror fans but essential for fans of the Twilight Zone. What is best about this issue is how little of a focus is put on TZ creator Rod Serling. We already have mountains of information about him. Up next Dark Discoveries #15 is the Lovecraft special issue. What's great for me is this magazine is produced by Vegetarian horror fans from just across the river in Washington. So I get to think horrifically, read locally.

Tuesday, October 13, 2009

Book Review: Dark Entries A John Constantine novel


Dark Entries By Ian Rankin
A John Constantine novel
214 Pages
DC Vertigo ( Vertigo crime line)

My favorite comic book of all time is Hellblazer, I followed the first 50 or so issues before I became a a broke activist and lost track. Over the last couple years I caught back with the occult magician John Constantine. Well I didn't think the movie was as bad as some people did I find the Americanizing of Constantine to be awful. Still it's not that bad.

Vertigo has done an amazing job of maintaining the quality of Hellblazer graphic novels and novels by keeping the caliber of his writers strong. Garth Ennis, Warren Ellis, Mike Carey, John Shirley and now international bestselling crime and detective author Ian Rankin. I have to admit I never heard of the man before getting this book in the mail. Best know for a series of books about a detective named inspector Rebus. I've been told by one friend that his writing is criminally good, another said he thought Rebus and Constantine would make great drinking buddies.
For those of you who don't know John Constantine began life as a small character created by watchmen author Alan Moore in an issue of Swamp Thing. A former Punk rocker and dammed occult magician, JC is a badass character - one of the best the genre has ever seen. The last new Hellblazer work I read was John Shirley's excellent novel Subterranean.
This is a very different Constantine book. It's small hardcover in Vertigo's new crime line it is a black white book with minimalist drawings. I am used to Hellblazer in bold colors, and since it is often gore drenched pages it took some getting used to.
Rankin weaves a patient Constantine tale but there is obvious love for the character, at first it seems like modern re-telling of a classic haunted house tale. John is asked to oversee a reality show that takes place in a haunted mansion. Things start taking life of their own and producers need John to go in and fix things. John suspects that the producers are not whom they seem to be, the stars of the show might not be who they appear to be. So what does our hero do but jump into the mystery.
There is an excellent twist that takes the book in a more classic Hellblazer path but Rankin does a wonderful job building up his story. Oh well I suppose I'm going to have to check out his books now. Hellblazer fans will really dig this different take on their hero. Pick up this book!