Monday, October 6, 2025

Book Review: The Many Worlds of Barry Malzberg by Barry N. Malzberg

 

 The Many Worlds of Barry Malzberg by Barry N. Malzberg

159 pages, Paperback
Published January, 1975 by Popular Library

 

I grabbed this collection to read on my train journey to LA for the Speculative Fiction Across Media Conference in LA. I started it the night before and finished it before boarding the train. The main reason I wanted to bring this book was to read The Final War, although published under the pen name K.M. O’Donnell, Barry considered this one of his best stories, and as far as I can tell the readership agreed. All the stories were good but two stood out. 

Yes, The Final War was great, deserving of the praise, but the big shocker for me was a short piece called The Union Forever.  Let's talk about this one first. It is only a few pages long, but in the limited word count, BM is able to comment on Presidential insanity (something we are dealing with today), Technocratic dictatorship, and AI.  If you don’t want it spoiled, go read it now…

Lets look at how the story opens…

“Carlyle decides to assassinate the president. Enough of this garbage. President is a small, clumsy man who sits alone in a long room papered over in white and gold and makes all the decisions about the course of the Republic and Carlyle, for one, is good and fed up with the autocracy, even though he is one of the leftover volunteers from the president's last campaign apprentices now employed as a confidential typist) and actually took him seriously at one time period now Carlisle only feels betrayed the war for one thing continues…”

The story told in a three-act play with each section opening with a former campaign manager wanting to kill the president, the second act, the president wants to kill him.  And then the third act.

“The president and Carlyle decide they must kill one another. This is a conundrum since the fact is that neither truly exists. They are merely circuits and a giant computer which, as we all know, took over the world at the world's at the wars conclusion in 2561…”

I could be reading the story wrong, but I got the impression that BM was commenting on the programmed nature of the system that seems to be a game that plays time after time in a cycle. That seems quaint compared to the unpredictable sundowning fascist we have at the moment.

 The Final War on the other hand…

It is another cynical BM Vietnam era masterpiece, similar in the sense that it is about the hollow vibe of a war fought for a forest and a nearby estate. The Soldiers don’t even remember why the conflict started.

“The forest was the right place to be. In the first place, the trees gave privacy, and in the second, it was cool. It was possible to play a decent game of poker, get a night’s sleep. Perhaps because of the poker, the enemy fought madly for the forest and defended it like lunatics. So did Hastings’ company. Being there, even if only on Thursdays, Saturdays and Tuesdays, made the war worthwhile. The enemy must have felt the same way, but they, of course, had the odd day of the week. Still, even Hastings was willing to stay organized on that basis. Monday was a lousy day to get up, anyway.”

There is a surreal feeling to it. The war, the world it takes place in is vague, undefined, but that adds mystery and power to the story. Our main character is a soldier asking to go home.  This request denied over and over. A statement on the soldiers of the modern war at the time of this story. Unwilling, not understanding why they are they are there and still they fought. 

The reasons for this final conflict are strange and interesting to ponder. Who is the President? What country? 

“On election day, the company had a particularly bad experience. The president of their country was being threatened by an opposition which had no use for his preparedness policy; as a defensive measure, therefore, he had no choice on the day before election, other than to order every military installation in the vicinity of the company’s war to send out at least one bomber and more likely two to show determination. Hastings’ company knew nothing whatever of this; they woke on the morning of the election cheerful because it was their turn to take the forest. Furthermore, the tents of the enemy seen in the distance were already being struck, a good sign that the enemy would not contest things too vigorously. The men of the company put on their combat gear singing, goosing one another, challenging for poker games that night: it looked as if it were going to be a magnificent day. All indications were that the enemy would yield like gentlemen. Some of the company began to play tag, leaping through the abutments, comparing them to the forest that would soon be theirs.”

It doesn’t matter. Barry Malzberg has written several works of genius. The final war is one of them.

 

Sunday, October 5, 2025

(Audio)Book Review: Star Wars: Reign of the Empire The Mask of Fear Alexander Freed

 

 
 Star Wars: Reign of the Empire The Mask of Fear Alexander Freed
496 pages, Hardcover / Audiobook.
Published February 2025 by Random House Worlds
 
 I tend not to write long reviews for audiobook listens. I started reading this novel in print and finished on audio. Recently, it was announced that Star Wars was going to publish a trilogy of book that set up the events of Andor/ Rogue One. That is what SW tie-in novels do. I started to wonder when reading this if Freed the author, didn’t put the whole trilogy into this one 500-page beast. 

For those looking for more SW that feels like Andor, this is a fairly interesting read. It does give some good background to Bail and Mon Mothma, but the highlight was Soujen, Saw’s very alien-looking friend. There is lots of political stuff, spy craft, and the like. 

Did it deepen the SW universe? A little, maybe, was it worth 500 pages of my reading time? It felt long. It was well-written, but too many pages in my opinion. Better audio experience, because I could do dishes, walk etc.  Perfect for that.
 

Tuesday, September 30, 2025

Book Review: We Live Here Now by Sarah Pinborough

 

We Live Here Now by Sarah Pinborough

291 pages, Hardcover
Published May, 2025 by Flatiron Books: Pine & Cedar

I have reviewed most of Sarah Pinborough's books. When she toured with Behind Her Eyes and appeared at Mysterious Galaxy, I already handed her a pile of books to sign. I say already because that started the stretch of books that were big sellers, and I suspect some fans of those books have no idea that she had a pretty successful career already. The Dog-faced Gods trilogy, Death House, and Mayhem… are solid horror novels.

 In her streak of Feminist thrillers, I have read and reviewed everything.  Gone Girl and the like are not my typical genre, put SP is a pure storyteller and I will read her wherever she goes. I was excited when she edged back into the horror genre with Insomnia (a novel she helped adapt for TV herself)

Now there is no doubt we are back with a full-on haunted house novel. Sarah Pinborough doing a straight-up horror novel is welcome, but it is still totally an experience in SP storytelling. What do I mean by that? Always a talented writer, she has picked up a knack for writing relationship dynamics and making the family fodder for drama and suspense. The family in a Pinborough novel is woven into the twists and turns.

This technique is perfect for the Haunted House novel, because the house and the ghosts can rarely carry the story.  Clearly, it is in the Shirley Jackson tradition, We Live Here Now is that perfect blend of tropes well executed and invention to breathe fresh air into the classic. The story of Emily and Freddie who move out to an old British manor, Larkin Lodge, after Emily is almost killed in an accident. Freddie thought he was going to lose Emily, but he also has secrets.

SP uses three POV’s with perfect timing to keep the reader one step ahead of the characters, but the narrators have moments of unreliability. The secrets fray the edges of the relationships, in parallel to the nature of the house. Phantom nails, creaks, shadows, and maybe ghosts who fell victim to events in the house years ago.

Emily starts to uncover the truth while suspecting that Freddie has fallen into old and very bad habits. “At first, I'm sure it's a ghost sitting at the end of the bed.

Startled, I have set up in the gloom, staring at the stiff figure, and then I realize who it is not a ghost at all.

“Freddie?”

The lines between the family drama and the ghost story are blended seamlessly, heading to a SP ending. The truth is there for Emily to find in the history of the house, and when you get there you will be happy you had the experience of reading the book. You will also understand there is a deeper meaning to the title.


Book Review: Dread Coast: So-Cal Horror Tales edited by Dennis K. Crosby and KC Grifant (review pending)

Dread Coast: So-Cal Horror Tales edited by Dennis K. Crosby and KC Grifant

366 pages, Paperback
Published August 2025 by No Bad Books Press

FULL REVIEW ON THE WAY (except my story of course...yeah I have a story in this one. My story is a cosmic horror story called "To Speak in Silver Linings.")

A few years back, it was announced that StokerCon was coming to San Diego. At the time, I had been mulling over the idea of joining the local Horror Writers Association, having had experience putting on cons and similar large events, and I thought that I could be useful. One of the things we often talked about in meetings was this project that would eventually become Dread Coast. A Southern California or San Diego-based anthology, and the majority of the authors in this book are from San Diego.

The idea was a charity anthology, so the headache of paying two dozen authors would be taken out of the equation. Early on, talk was that it should be a California cause. When the Wildfires happened in LA, it seemed a no-brainer to support relief efforts. Dennis K. Crosby and KC Grifant, who led much of the efforts on Stokercon, continued to lead by editing this book. Publishing duties have been well handled by local author Theresa Halvorsen and her publishing arm No Bad Books Press.

Edited by Dennis K. Crosby and KC Grifant

Participating authors

David Agranoff, Kevin David Anderson, Brian Asman, Peter Clines, Jon Cohn, Ronald Coleman, Dennis K. Crosby, Luke Dumas,S. Faxon, KC Grifant, Indigo Halverson, Theresa Halvorsen, Henry Herz, Elle Jauffret, James Jensen, TJ Kang, Lisa Kastner, Jonathan Maberry, Greg Mollin, C.D. Oakes, Scott Sigler, Benjamin Spada, Chad Stroup, Rose Winter

There are, of course, stories that are stand-outs, and I will highlight those, but there are no duds. I enjoyed reading this one cover to cover. I often skip around, but I was curious how the stories were placed. The book opens with a squirmer from bestselling author Luke Dumas. A great kick-off for the collection, and having a story set on the beach is perfect. This one gets inside you and wiggles around. The Suitcase from newcomer C.D. Oakes is a powerful one. Probably the best most powerful prose of the collection comes from bookseller Greg Mollin (shout-out Artifact Books) whose story Growing Darkness packs a punch. Brian Asman and Jon Cohn have funny stories that make use of real settings. Chad Stroup’s story takes place in the universe of his criminally underrated Secrets of the Weird.  Closing out the collection is Jonathan Maberry’s powerful vampire story.

Dread Coast is a must-read for So-Cal horror fans, but I think horror fans in all regions will enjoy this one.