Tuesday, March 28, 2023

Book Review: Mother of Abominations: (A Monster Earth Novel) by Desmond Reddick



Mother of Abominations:  (A Monster Earth Novel) by Desmond Reddick

Paperback, 239 pages

Mechanoid Press, September 2017 

You are going to have to take this review with a little bit of caveat. Hundreds of episodes into his podcast Desmond Reddick has become a reliable voice in horror commentary. Hailing from the island off the west coast of Canada the man lives in one of my favorite places on earth. Dread Media has more than 500 episodes and our friendship goes back to my first interview on the show, Me!. That meant a lot to me because he was the only person to show up besides Robert the owner of the bookstore to my first and only book signing in Canada in 2007 when all I had was 6 story chapbook version of Screams from a Dying World.

So we go back. Des has been one of my first, most trusted readers. He was the first person to read a completed draft of The Last Night to Kill Nazis. He has sent me unpublished novels as well. So why did I wait this long to read his book. I have had it on the shelf for a while. As much as I trust Des two things held me back. 1)Kaiju is not my favorite sub-genre for fiction as I think the spectacle is what makes it work on film. 2)I knew the novel was a part of a larger universe Monster Earth, started by some other folks. I wasn’t sure I didn’t need to read the previous work and I was unclear if the story was finished.

While setting up for a zoom, Des mentioned that it stood alone fine, at that point I decided to save it for a trip, and yes I read this over two sittings, and flights and I am glad I did. This novel 200% stands on its own. I didn’t read the cover and knew nothing about the plot. If you want to stay even a minor spoiler free, here is your warning…

An English teacher, and a lifelong consumer of the genre my boy knows what he is doing. Set in an alternate history where Kaiju are used as cold war weapons. This novel is as much an occult-cold war spy novel as it is about giant monsters. It gives you a little giant monster action early and then it gets into the proper story. Featuring radical Bree Kenny who is in the process of blowing up the English parliament, after her arrest she is given a mission. I love this Snake Plissken/ Dirty Dozen type reluctant hero set-up, and an absolutely right choice for the narrative of this novel.

The first moment when I realized the writing was first class was a scene when Bree’s brother Bran is in jail suffering solitary confinement. That kinda isolation creates hyper-awareness. Caught perfectly. “Somewhere down the hall, water dripped constantly. Bran began to count the drops when he first heard them days ago. He got somewhere in the three-hundreds before giving up.”

Bree has to go undercover on a mission to infiltrate a cult that is run by a young  Alister Crowley. This provides the novel with a very interesting throughline of the old dark magician, who thinks Bree is key to raising an ancient monster from hiding.  “Friends! Allow me to introduce you to the woman who makes all possible. Babylon, the mother of Abominations.”

I know I like in reviews to look for mission statements, but the mission is a fun story in this world. But Reddick knows you are here for monsters and one of the best moments of the novel is Faulkner one of the British military’s monster guys expresses his love for the monsters. “She was beautiful while she slept. However, she was never more beautiful than when she was in midst of battle. All of her field time up to that point had been used against the armies of men. Very soon she would face her first peer.”


Mother of Abominations
is a fun novel, there is nothing insanely groundbreaking here but that was not the point. Desmond Reddick didn’t need to break ground here; he needed to make a solid entry in a novel that combines cold war and Kaiju elements. He did it

This is also a first novel, and it shows very little of the common growing pains. I have read the novel that Reddick wrote after this. It is a noir superhero piece called “...And Kid Ghost.”  That novel does break ground. Reddick says he wants to give it another polish before trying to publish it, and I hope he does because that novel blew me away. Nonetheless, Mother of Abominations is a great solid novel and worth reading.  Super stoked for my friend on this one, and I want you to be able to read the next one.

 

 

Book Review: Iraq + 100: The First Anthology of Science Fiction to Have Emerged from Iraq edited by Hassan Blasim

 


 

Iraq + 100: The First Anthology of Science Fiction to Have Emerged from Iraq edited by Hassan Blasim  

224 pages, Paperback
September, 2017 by Tor Books


In the many side effects of the Trump years one that really bothers me is softening of the anger toward GW Bush and his misadventures in the middle east. One sickening aspect of the Bush years was the terrible inexcusable lack of American empathy for the people and the suffering the American invasion caused in Iraq. It is hard enough to get people to watch the news, or read the history so perhaps there is a different war. 


Enter this book of stories by authors from Iraq or the Iraqi diaspora. The idea is that the stories take place in 2103 - one hundred years after the invasion. Published by Tor I was excited as soon as I saw this not only because I wanted stories about this theme, but I also was hoping to discover Iraqi genre writers. 


Sadly I don’t think there is an Iraqi SF scene, in the way I was envisioning. Some of these writers use surrealism, or the fantastic, but I don’t think there is an Iraqi scene per se.  With each story, I would flip back to the author bios, all respected writers and filmmakers. A few seemed more than comfortable using genre tropes but mostly the 100 years plus prompt was excellent for kick starting these excellent writers imagination. 


This is an above average collection of science fiction, not just because of the quality and yes all the stories are worth reading. In the text of the stories different cities are represented, different parts of Iraqi culture and all with an eye for the long range effects of war. There are a couple of the stories that I think are stand-outs and we should talk about them.


My favorite stories included. The Gardens of Babylon by Hassan Blasim, The Corporal by Ali Bader, Kuszib by Hassan Abdulrazzak, Najufa by Ibrahim Al-Marashi


Written by the editor of the collection wrote the Gardens of Babylon, a story with a slight Philip K. Dick vibes. A game designer is haunted by the past and after taking a hallucinogenic drug the past comes alive.  The story has excellent vibes and weird tone that made it one of the coolest feelings. It also is the story with some of the best world-building. This moment spoke to me. “No one can deny the ingenuity of the giant domes. Each district is a circular space like a giant sports ground, roofed over with smart glass dome that absorbs the sunlight, which is the main source of energy in babylon. All the districts are linked by amazing underground trains.”


This is some of the best world building in the collection, the name Iraq is gone in this story, Babylon or Mesopotamia is what the people call the region which is included in Chinese holdings. Still under colonial rule, but one where the people are offered Chinese citizenship. This makes it a rare SF story that envisions a heavily Chinese influenced future much like the Maureen Hugh classic China Mountain Zhang.


All around excellent story.


The Corporal is a fantastic story about an Iraqi soldier who despite being very in favor of the Iraq war is accidently killed by a U.S. soldier. He convinces god to send him back 100 years later as a prophet. One problem: the roles of the two societies have been reversed. “I am not sure how it happened exactly but history has taken a big turn. Just take America: now it’s an extremist state, gripped by religion.”


It is hard not to think of this story (written in 2013) as correctly forseeing a bit of the culture wars in this country. It is easy to see the MAGA heads who want this Christian great American revival as they are dragged screaming into a progressive future.  


The absolute banger of the collection without a doubt  Kuszib by Hassan Abdulrazzak. It has really cool world-building “Ur parked the Paradigm Hover in the vehicle dock, and the couple took the magnet capsule to Alliance City Station (in a part of town that used to be called Revolution city in the old days). “


I hate to spoil this story but the way the story unfolds is very sly. You might be mistaken at first to believe this is a vampire story. This story is the most wild of Science fiction concepts and the most effective story in every way. The story is so well written and contains so laugh out loud characters and irreverent moments. This story has gross moments, funny moments and super cool moments of creative invention.


Iraq + 100 is far from a normal Science Fiction anthology. It is important, it is a must read for fans of socially important political Science Fiction.


  



Book Review: Point Ultimate by Jerry Sohl



Point Ultimate by Jerry Sohl

151 pages, Mass Market Paperback

1959,First published January 1955 

So strap in here as this book review, like many of my retro science fiction reviews will be a fair bit of history lesson. Jerry Sohl is an author whose name I was familiar with. His name was connected to two classics of Star Trek. The only one where he got full script credit was the Corbomite Maneuver, the classic episode that actually was the first Trek to go before cameras. The writer and this novel got on my radar because of his second Star Trek Treatment “Way of the Spores.” 

was able to read the treatment after getting a copy at the UCLA Roddenberry papers archive. The details are famous, the episode started as Sandoval’s Planet, Power Play then Way of the Spores. It was eventually credited to Dorothy Fontana as This Side of Paradise. Sohl had done a great job with his first script so he was given several chances to fix it. In the memos that I have read Robbenberry, still concerned about pleasing SF fans, was worried about upsetting Sohl an active SF novelist who was involved in the fan community. 

So Trek fans know the episode colony planet with spores that brainwash people. Sohl’s treatment had a love story for Sulu not Spock, an idea Sohl thought ridiculous. Roddenberry had a bigger problem his story editor Steven Calabasas (who admitted he didn’t like SF) had quit. The Great Bird told Fontana if she could crack the script he would hire her to be the story editor.

He was right about two things. Fontana would become a TV legend, and Jerry Sohl would trash everyone involved in re-writing his script. He did this in letters to Science Fiction magazines, and had his credit changed to Nathan Butler. It is funny because one of the things Fontana fixed was Sohl had written the plants with the spores being in a cave, so all anyone had to do was avoid the cave. 

So I read about this when I was researching Dorothy Fontana (for an article I hope you’ll be able to read soon) and thought it was interesting as they were talking about him as this very respected author. The thing is as a huge fan of mid-20th century science fiction I had never read the guy. I knew his episodes of The Outer Limits and understood that he ghost wrote some Twilight Zones for a dying Charles Beaumont.  

I decided I needed to look up his books and Point Ultimate was the first to stick out to me.  Let us start with the fact that the back cover spoils the end, as much as a crapfest can be spoiled.  I really hate to say this as I respect the man’s work, between 1952 and 83 he wrote for 11 Tv shows, 6 produced films  and published 25 novels. Even though he lived until 2002 his writing career almost mirrored Philip K. Dick’s active years. He also wrote books on playing Chess and Bridge. I respect the guy but I gotta be honest this book sucks. 

It is fascinating and we have lots to talk about so bare with me and keep reading. My edition of this book was published in 1959 the same year Castro came into power and Hawaii became state 5-0. It is interesting that Bantam was in that year promoting this novel set in far off 1999 as prophetic, but they did. Jerry Sohl didn’t think we were going to party like it was 1999, he thought we would be living plague ravaged communist dystopia. None the less Bantam put on the cover “1999 - incredible and prophetic - the story of a U.S.A. conquered and Freedom from the Stars.” 

 When I think of prophetic Science Fiction novels I think of Brunner’s Shockwave Rider, or Stand On Zanzibar. I think of Atwood’s Handmaid’s Tale, John Shirley’s Song called Youth Trilogy.  It was bold for Bantam to declare this book prophetic 40 years out, but now that the novel is 68 years we can say anyone short of Marjorie Taylor Greene or Qanon morons would find this book prophetic as it got literally nothing right.

Nothing. Yes, this novel about a communist dystopia is like a Q message board, or a Fox news segment woven into a goofy 50 SF narrative featuring Robot waiters, bartenders , flying cars, and motor vehicles called Turbos because the future.  

I point out 1959 because that is when this edition came out but more importantly this novel was written in either 54 or 55 to be published in 1955. The peak years of the red scare were just before this novel was published, there were books, comics and movies like “I Married a Communist,” played on these fears. Science fiction films that played with these tropes in films like Them and Invasion of the Body Snatchers, but the left leaning of SF editors and writers kept this rare in the books. Outside of Heinlein’s Puppet Masters and Jack Finney’s Body Snatchers. I was a little surprised to learn about Point Ultimate. I was curious, and when I found a cheap copy online I thought I needed to read it. 

Point Ultimate is the story of Emmet, a small town rebel who accidentally learns he doesn’t need his monthly booster against the plague that socialists use to keep the helpless Americans under the unnamed “enemy” which is a lazy stand in for the soviet union.

They people that took over America are implied but not named, honestly I think Sohl was too lazy to write about the soviets, unlike PKD who wanted to write about the Japanese and Germans (even if he got the Japanese wildly wrong at times) at least Phil tried. In this novel the conquerors are just those damned commies or the enemy. It makes me think of the average Fox viewer who hates socialism but can’t explain it. 

As a work of 20th century science fiction is on weaker side of examples. The characters are paper thin, the prose lacks invention and the world-building is uneven. The most interesting elements of this novel is the backstory of the dystopia that is often info-dumped with almost zero smoothing into the action. I was never lost in the summer, aware on every page that I was in the hands of a poorly written Science Fiction novel. Worse every time it seemed to be making a point it felt like a dude trying to own the libs. 

So the idea is monthly all people in the former America have to submit to a booster against a plague that will drive them to madness. So when Emmet goes off on the run it should start the clock. In a well done narrative Emmett would have been nervous about leaving, unsure if he would be found at all times. 

“What would happen if he was caught? Maybe one of the slave-labor camps in Utah or Nevada. Maybe they would cut him off from his booster. But they’d have to catch him first.”

Sohl doesn’t develop that paranoid feeling, nor does he take advantage of having the ticking clock toward when he was supposed to appear for the booster.  He just has Emmet ask himself that once and moves on. A better narrative would show the reader through events in the story that he was afraid someone would turn him in, or he would multiple times be counting down until his booster date. There is a scene where a farmer who has accepted being a communist pretends to help him but intends to turn him in. That is normal red scare fear, of course the SF aspect to it is the idea of the plague and the booster. Just like Q said these damn boosters are about control, and even if I didn’t agree with the notion I was interested if it mirrored modern conspiracy theory.

This is baked into the way the US fell within the back story. Sohl is able to make it a vague history as the war of 1969 happened before Emmet was born. The world of America pre-1955 is alien to our main character. The history he knows second-hand. 

“For thirty years the need for the monthly injections had been the rule of life for everyone in the United States and other occupied countries – for four years longer than he had been alive. It began in 1969 when the enemy H-bombs wiped out Washington D.C., and Chicago. The United States had tried to retaliate in kind, only to make the tragic discovery that the enemy had discovered something that tipped the scales of war in their favor and made the outcome certain: they had somehow devised an impregnable barrier against aircraft and missiles.”

 This is one of the very few choices that I thought was smart choice. At every turn this novel failed to engage me, and even if I thought it came off like Red Scare or Q bullshit I was happy and ready to acknowledge a bad point well made. I am not a fan of the message of Starship Troopers but I think it is well done. The Skinner by Neal Asher is one of my favorite SF novels of this century and Neal is a conservative, I don’t have to agree to like something. 

Poor DC and Chicago got H-bombed and the Soviets built an anti-missile shield. It is interesting that Sohl, living in the early days of the cold war, assumed that the bombs would launch. A reasonable assumption. The advanced shield system is also an interesting speculative choice. The bombs and the missile shield caused the downfall of America but how had the dystopic communists control ‘merica. Well a plague and booster injections.

“No sooner had the United States capitulated than the enemy made a surprise announcement. Just to make sure their eventual conquest of the United States, they said, they had let loose all over the world a new strain of bacteria.”

The social control aspect of the booster storyline is as thinly developed as anything in the novel. So this regard the Q folks probably will not start book legging this novel or turning Jerry Sohl into some prophet. The strength of the Red Scare political nature of this novel is most pointedly made and on the nose in the form of making socialists and communists into the worst devils that ever lived. This is most notable when a doctor named Smelter talks to Emmet.  

“Smelter nodded “and then the bombs fell. No more army. So I went back to Peoria where my Father had a  practice and set-up an office. It was a miserable time. Few drugs, hardly any instruments. I could have become a staff member of a commie-run hospital, but I didn’t want anything to do with slaughterhouses. In the commie book nothing is more expendable than life.”

I don’t know why communists even have hospitals. Life don’t mean shit to them and worse no one even wants to bring their babies into this commie world.

“Because they were the unlawfully Pregnant. Each one wanted me to perform an abortion. But I still clung to old professional ethics. I’m sorry, I’d say. I can’t do it, no doctor should.

It was 1955 after all, many years before Roe V Wade but again, an interesting moment. This is one of those moments that reminds you that you are reading speculative fiction by a 50s conservative. Two years later PKD would enter into Red scare SF with The Man who Japed a scathing look at communist China. As dumb as I find Point Ultimate I can vibe with Japed. PKD was a better writer but he was also exploring how communism functioned not just saying “Them commies are bad because. 

There is also an interesting turn when Gypsies were part of a resistance and travelling the country side in tents. He seemed to be suggesting a certain freedom that these traveling folks outside of mainstream society were able to resist. The only thing in all the social political speculation the Sohl was on to was this…

“The rural people are more subjugated than city people. They don’t have half the opportunities of the people in the metropolitan areas. Maybe because it is easier to keep track of them. easily but you rarely see a Tri-D antenna or current model Turbo or flier out in the country.”

Besides having all the funny names of future TV and cars this quote is on to something. It is well know that there is a rural/metropolitan or suburban divide politically in our modern America. Sohl again missed the missed the mark by his own conservative ideas. A fan of this novel or Fox News thinks the woke population of the cities are under control. In the novel still the resistance doesn’t come from the city, so this novel doesn’t understand itself.

Point Ultimate, however, as it is spoiled on both the front and back cover has the resistance coming far beyond the city, but people who made it to Mars. So it is the people on another world who are not revealed until the last three pages who are the great hope against the commies.

I know it is a spoiler but the book sucks and I would never suggest you read it. Plus it is spoiled on the damn cover. It is a stupid ending that comes quickly, too quickly and out of fucking nowhere. Sohl saw us having robot waiters and bartenders in 1999 he was just as wrong about the communist dystopia. Point Ultimate makes a strong case for being the last time I read Sohl but I will give him another case at some point. I am glad I can comment on this book but I was pretty happy to finish it. 


Thursday, March 23, 2023

Book Review: Summer in the City of Roses by Michelle Ruiz Keil


 Summer in the City of Roses by Michelle Ruiz Keil  

336 pages, Hardcover  

July, 2021 by Soho Teen


*I read about it from Charles DeLint's column in The Magazine of Fantasy and Science Fiction. As a subscriber to that awesome magazine, I want to give them a shout-out. *

 


 
This novel is not just set in Portland, I feel more than many novels it catches a vibe and feel of Portland in a time. Some books come with a natural bias for a reader. This novel comes at a time when I am primed to enjoy it.  I have complicated feelings about Portland Oregon. I didn’t want to leave when we came back to San Diego, I missed Portland. So a novel about Portland is something I am bound to connect to emotionally right? 
 
When I returned to Portland last summer for the first time in 8 years I was amazed at how much it changed, and not just the traffic. One of the things that I think is going to be underrated about this novel is the sense I had that it was a fantasy setting of a city that doesn't exist anymore. I know any historical novel is a bit of an alternate history.  Keeping Portland weird is more than a bumper sticker and novels set before Portlandia inspired a hipster invasion to feel extra homey for me.

Some of it is just straight description…

“She and George walk into the quiet Ladd’s Addition, a neighborhood right off Hawthorne  laid out around traffic circles full of roses.”

But there are many times in this book we get Portland settings like Powell’s City of Books and it serves to inform characters.

“Ever devoted to his Redwall books, Orr stayed in the Rose room until last year, when he started making forays into the Gold room for fantasy and Sci-fi. Iph closes her eyes against tears for the millionth time today.”

Summer in the City of Roses is very much a novel about a place but that doesn’t mean it ignores setting up the characters.

"Inspired by the Greek myth of Iphigenia and the Grimm fairy tale “Brother and Sister,” Michelle Ruiz Keil’s second novel follows two siblings torn apart and struggling to find each other in early ’90s Portland." (from the dust jacket)

Ahh I understand the names Iph and Orr now. That is cool. I had no idea about that aspect of the story. I admit when I was reading, I didn't place the era as the 90s, but further into the novel I got it. Still, as a person who moved to Portland in 2006, I didn't know this Portland. For example, I have been told lower southeast Portland was a messed up place, whereas it was a nice neighborhood.

This novel is light on fantasy, and mostly it is a story of a brother and sister. Set in the fictional but realistic little Oregon town of Forest Lake. Iph is furious when her father sends her sensitive gender fluid (before that term was common) brother is sent off to a reform school camp in the woods. After he escapes and runs away from the school he ends up punk-rocking in Portland. Iph is looking for him and living on the edges of alternate PDX.

Will they find each other, and how are their paths different in this alternate Portland? This is the heart of the story here. This book has great characters, but for me, it is the setting of 90s Portland that I really enjoyed.

The characters have names that have been used in other Portland-based stories including Geek Love and Leguin's Lathe of Heaven. This book will be considered YA  in many circles but to me, it is just a novel, it is about young people but it has rich and complex meaning and subtext. In other words, it is good stuff.  It also was clearly talking about vegan biscuits and gravy at paradox in one scene, and that was my favorite breakfast in Portland. Yo.



Monday, March 20, 2023

Graphic novel review: Star Trek: The Q Conflict by Scott Tipton, David Tipton, David Messina (Illustrations)


 Star Trek: The Q Conflict Written by Scott Tipton, David Tipton, 

David Messina (Illustrations)

152 pages, Paperback

First published October 15, 2019

Let me start by saying Q is not my favorite villain in the Star Trek Canon, on the service the story here might seem like the most fan servicey fan service in fan service history but not without a purpose. If you have read the inter-office memos, and I have read many in my research for an article on D.C. Fontana then you would know she was aware the God-being trope of the TOS was a problem. That is why Q had to be added by Roddenberry to her first TNG pilot. As early as 1967 Fontana was saying enough with the god-like beings.

So yes on the surface this is a fun story that has a young Kirk teaming up with Worf, Riker with Janeway, and several other fan service combos... but the crews are brought together in a game played by all the Star Trek god-like beings. In that sense, Scott Tipton has made a fun novel that is also a commentary on one of the overused tropes in Trek. Light fun read

Sunday, March 19, 2023

Book Review (well almost):The Biggest Ideas in the Universe by Sean Carroll


 

 The Biggest Ideas in the Universe by Sean Carroll  

304 pages, Hardcover  

September, 2022 by Dutton


 I don't have a ton to say about this book. I love Carrol's podcast, I really enjoyed his book the big picture. I wanted to really enjoy this. I enjoyed his earlier books I found this difficult to get through. I think the problem is Carrol already did a just fine job in his earlier books explaining time, space and motion. This time it feels clunky and I found the whole not engaging. That said I love the Big Picture.  in general I am a fan of Carrol. Sorry, that is not much to say - but I did read it.

Graphic novel review: Star Trek Discovery: Aftermath by Kirsten Beyer & Mike Johnson

 


Star Trek Discovery: Aftermath
by Kirsten Beyer & Mike Johnson W/ Artists Tony Shasteen & Angel Hernadez

96 pages, Paperback 

April 14, 2020 by IDW Publishing


I am way late to read this comic, I checked it out from the library on the week that it was announced that season five would be the final for Disco. I have complicated feelings about Discovery, and while this review should be about this comic I am going to express some feelings for the show in general.

I am a fan of Discovery in general, it took me a couple of episodes to warm to it. Amid the first season chaos I was just stoked to have a new Star Trek, I always loved Michelle Yeoh, but it is my argument Disco is better if you start at episode 3. I believe the journey for Burnham is one that is better if the reasons she did her mutiny are background or a bit of a mystery. Season 2 to me is the best season, which primes me for this comic. It wasn’t just Captain Pike and Spock, although that helps a lot.

The first half of this graphic novel takes place after the events of the season two finale, and that is the half I enjoyed slightly more. The first half shows what Spock and Pike dealt with directly after the events of season two (spoilers for that season if you have not watched it) I loved that Discovery made a sacrifice by traveling 900 years in the future re-setting both the show and giving the characters a powerful arc.

This comic shows Captain Pike and Chancellor L’Rell making peace we know through Trek history will be precarious. The second story is about Disco’s first mission after Saru becomes captain. I really enjoyed the art and story in both. More Captain Pike is always plus for me. It also helped to make sense of some of the events in the Klingon war and how it relates to canon.
As for the last few seasons of Discovery. I like what we got but always felt Discovery could have been even better.

Season three felt rushed to me. Discovery travels 900 years into a future without warp travel. Burnham and Disco find each other after two episodes, which should have been A and B storylines for longer. Disco has to be a fish out of water for more episodes. I think finding Starfleet and the Federation should've taken all of season three. Season 4 instead of being another galaxy-threatening mystery box should've been about re-starting the Federation. To me, that was far more worthy of a season of Trek. The story of new life and communication was stretched too far.

That said I love Discovery as it is. Will miss it. I just think it could have been even better. Oh yeah, I liked this graphic novel, and want to read more of expanded universe Discovery.

Sunday, March 5, 2023

Book Review: Meru by S.B. Diviya

 


 Meru by S.B. Divya
448 pages, Paperback
Published February, 2023 by 47North

Divya’s first novel Machinehood was one of my top reads of 2021 and I had a fantastic conversation on the podcast with her about the book. Near the end of that interview, we had the normal so what are you working on conversation and this was the novel in progress. This is starting to become a fun part of doing the podcast. Alma Katsu’s The Fervor is now nominated for a Stoker award and you heard on postcards first. Meru is an example of this.  Even with a slight tease of Meru, I was hooked on the idea.

I have now another preview of this novel before I started reading it. I was also able to check out a book event at Mysterious Galaxy when SB Divya and Analee Newitiz talked about their similarly themed books. I will be reading The Terraformers soon-ish, but Meru was my priority. There was a slight danger that the book wouldn't love up the hype I had built up in my own head.

Meru is in many ways why I read modern sci-fi. Anyone who knows me knows I love retro 'out of date' SF, and I could read that stuff the rest of my life and be happy. Meru is the kind of modern novel pushing the genre forward. I know there are many, many modern authors doing that. What I am personally looking for is modern concepts, ethics, and a retro feeling of big ideas. That is the balance I have found in both Divya books I read.

Machinehood is much more of an action story, and Meru is a story of deep heart and emotion.  Both novels drip off the page with amazing world-building and ideas. Meru doesn’t feel as ripped from the AI headlines but comes with the strength of experience and to me is a slightly better novel.  You can tell the author has a novel under her belt in all the right ways.

Meru takes head-on one of the hardest challenges in Science fiction. This novel is set 900 years in the future and if you think back to the world as it was 900 years ago our world would have been unrecognizable. So how do you build a future that is unrecognizable but relatable enough to tell a story in it. Meru is a very different future, I loved it.

The thing is if you are going to set a novel 900 years in the future it will require massive world-building, require an epic number of ideas, and this story just wouldn’t work if didn’t have compelling characters at the center of it. Divya has proven to me in two books that she has a master-level skill for world-building. How does Meru balance the rest?

Meru is an earthlike planet that is set to be colonized by Transhuman descendants of humans called Alloys. It has been five centuries since humans were allowed by the Alloys to leave Earth, this was declared after a disastrous attempt to terraform Mars. Alloys are genetically altered beings who have become the dominant culture that survived Earth although most live in space and explore the galaxy. Some are called pilots, large enough to transport humans inside themselves they are the living spaceships of this future. They don’t have gender so the pronouns are zie/ for he/she and Zir for him/her, something no modern reader should have any issues dealing with. The larger ship-sized alloys also use “Constructs” which are humanoid-sized avatars.

    “Over time, alloys had expanded their genetic code to include instructions for all kinds of nonhuman features. They carried a third chromosome, dubbed Z, which the building blocks for their not-so-organic functions like solar-power-generating-wings, electrolyzing lungs, emtalk organs, and thamity-sensing organs. The latter allowed Alloys to sense the underlying energy field of the universe and harness it to traverse interplanetary distances.” The Alloys functioned as ships for early exploration until they made a compact with humans to ensure their survival. It was earth or nothing as humans had already come close to ending life on their homeworld and Mars.

As you could imagine many of the Alloys don’t have a high opinion of the human species they came from. That’s understandable neither do I.

 At the event I attended Divya said the novel was inspired by the Indian Amar Chitra Katha comics.  I admit they were something I had to look up but they sound interesting I know so far, what I have described is all ideas and world-building but the characters are well-written. Jayanthi is a human raised by Alloy parents who are living on earth. Jayanthi wants to prove that Humans can be trusted on this new alien world. So the experiment is set, she will be the first and only human in a new world to test if humans could survive at all.
 
If Jay is going to do this she needs an Alloy pilot, to take her to this new world and be her partner in the grand experiment of a human on a new world. Vaha is the pilot who steps forward but Zie is unsure. Her friend Kaliyu wants zir to do it, to ensure failure. Kaliiyu is not a human being fan.

“<Remember your history?  Humans are terrible people. First, they polluted Earth, then they turned Mars into a hot, stormy hellhole when they tried to terraform it. Now they want to do the same Meru. They have no gratitude for the work alloys and constructs do to keep Earth clean and safe and livable or work tarawans do to maintain genetic diversity and adaptability. They’re stuck in the same old selfish gene-set they evolved from.>

Vaha takes on this epic journey and from there it becomes your all-common story of a woman and starship who fall in love.

Zie nodded. "At first I thought it was because of the incarn, but even in my true body, I feel the same way. If you don't though, I'll ask you the womb to modify my incarn's-"
"No! I mean, Please Don't." She took a deep breath. "I do I have very romantic feelings for you."


Without spoiling the second-half of the book it is at this point that Jayathani and Vaha make a decision that begins the drama of the final act. I don't know if it is fair or unfair to call this novel LBGTQ Sci-fi but there is something wonderfully queer about the forbidden romance between a woman and her living starship.  As unhuman as the Alloys would feel to most humans in 2023, science fiction readers will love the heart and hope of this story.

Meru is more than just a science fiction story, Diviya has stated in interviews that is wanted to point to a future where survival of species happened.  She was resisting the many negative dystopias that the genre is overflowing with. That doesn't mean she is blind to the risk we face in the future. in Meru salvation comes in the form of humanity's evolution into alloys something led by technology.

The Alloys don't mince words about it. <We have expended so much effort to provide human beings a good life on earth, a balanced one that respects the planet. On Meru we will have accidents. People will suffer. they will die. that will lead to demands. Living beings are citizens of the constructed Democracyof Sol, We will have to prioritize their needs over the planet's. Ancient indigenous humans understood the value of nature better than our more recent ancestors. They may have attributed its behavior to gods rather than physics, but the result is the same: they treated all things with respect.>

I have a habit of looking for a mission statement in a novel, and in this case, I don't believe there is a single mission statement. While the above line was one of the most powerful moments for this reader I think the mission is to explore this future in many many ways. It is a story about one relationship, one romance that despite all the technology and change is the reason we survive. That is why I will say this story is about the human, and trans human heart.

Meru is an effective and powerful piece of science fiction. It is certainly recommended for all Science Fiction fans.


Friday, March 3, 2023

Book Review: The Milky Way: An Autobiography of Our Galaxy Moiya McTier


 

The Milky Way: An Autobiography of Our Galaxy Moiya McTier 

256 pages, Hardcover  

August, 2022 by Grand Central Publishing

This is a remarkable book on many levels, and to start with I am not sure if it is fair to call it non-fiction entirely. This is a science book, and if you give yourself over to it, it will science the hell out of you.

The author and this book have been on my radar for a long before it was finished and out. McTeir was a regular guest on one of my favorite, now defunct podcasts - The Weekly Space Hangout. I also listened to her podcast Exolore. McTeir positioned herself for this book while studying at Harvard. The first person at that school (I heard it was pretty good) to study Astrophysics and mythology.

There are a buzillion books out there, and an equal number of podcasts, Tv shows, movies, and concerts so how does one get attention? They write a one-in-a-million book that only they can. Moiya McTeir did. Despite this book being hyped on podcasts, and in my Reading TBR shelf for more than a minute it lived up to the hype.

So the concept is what if our galaxy had a giant galactic brain and was telling us its story? As such this pulls on all of McTeir's abilities. Writing as the Milky Way is of course a creative writing exercise, and as such, it is impossible for this not to be just a little bit in McTeir's voice. That might lose some hard science folks. I personally liked that. I mean the reality is that you should come to this book not expecting a perfect galactic first person...what the hell would that be.

My favorite parts of the book are when we get the myths of the milky way. Larry and Sammy in this context are other galaxies. "Polynesian seafarers knew how to navigate by Larry and Sammy, the Maori in your modern New Zealand marked the clouds return in their sky to predict weather, and some groups native to Australia looked to them as the resting place for the spirits of their loved ones."

I use this as an example not just of some of my favorite parts of the book but the trick McTeir had to pull, writing like the milky way but using words and terms to communicate with the reader. and trust me it gets hard sciencey at times... "It's hard to maintain hydrostatic Equilibrium in anything heavier than 200 masses." (pulled out at random) but nothing was so far over my head I felt off-put. I admit that mathy math stuff in the new Sean Carroll book has put me off. It happens.

The Milky Way autobiography is going to get attention as a fun book, as a neat book. A fun concept for a science book but it is also an important book. We spend lots of time as a society figuring out how our planet works as our home. The milky Way in a larger sense is our home as well.

I love this book.
 



 


 


Graphic novel review: Star Trek Year Five The Wine-Dark Deep by Jackson Lanzing, Collin Kelly, Stephen Thompson (Illustrations)


 

Star Trek Year Five The Wine-Dark Deep by Jackson Lanzing, Collin Kelly, Stephen Thompson (Illustrations)

144 pages IDW publishing

July 2020

I have not figured out a rhythm for writing graphic novel reviews, but let me give you a few thoughts on this comic series. I have mixed feelings about Star Trek Year four and five comics. They are fun, and I enjoy them.  There are two ways to write these stories. To make them feel like lost episodes or make use of the lack of budget to tell wild Sci-fi stories that the TV show wanted, but couldn't do.

In this case, they are also telling stories that TOS would not have gotten away with...we will get there in a moment.

I enjoyed 2/3 of the stories, and the first one featuring the Thoalian child, was really interesting, and really built on Thoalian lore as we know.  The best storyline however was  The Sulu meets A Shape of Water was great, and when they returned to her planet...I loved all that. Loved it.