Sunday, February 27, 2022

Book Review: Anthem by Noah Hawley

 


Anthem by Noah Hawley

Hardcover, 427 pages
Published January 4th 2022 by Grand Central Publishing



I want to get real about the realities of writing and publishing a novel like this. Noah Hawley is a big-name writer in both publishing and TV where he was the showrunner for Legion and the successful FX series Fargo.  He was a successful novelist before writing for TV and Film but publishers will bend over backward for him, and with good reason.
 
I have liked all his seasons of Fargo but I just want to say that I LOVED the second season. That season won me over enough that I am going to be in for whatever this guy writes. I reviewed his novel Before the Fall here as well which I liked.  I am bummed that while he was developing a Star Trek movie the pandemic seemed to take the steam out of that. I would LOVE to see his Star Trek even more than Tarantino.  This book feels like it was born out of the lockdown. Hawley had shifted mostly to making film and television so it seemed a perfect time to dip back into a novel.

That being said, this novel rages like an angry reaction to the 2020 election and the aftermath. The fact that this novel exists so quickly is odd. A bit of a miracle. There are signs that it was rushed to be out. Not in the quality, I think this is a GREAT novel, but there is a lack of blurbs and the normal marketing that takes a long time to put together. It reminds me in the lead-up to the election a few older punk rockers like Articles of Faith’s Vic Bondi (Dead ending American Virus) and Bob Mould (American Crisis) came out with random angry songs about the moment.  They were raw topical musical middle fingers.

Anthem is a bit of a novel in a punk rock song style, it feels like those songs to me.  Anger, sarcasm, and righteous hope that things can be better. Anthem is not a feel-good novel, it should make you feel nervous about the future but what I think Hawley has done here is pretty magical. It is a minor miracle that a topical novel gets written, edited, bound in hardcover, and sold while the issue is a smoldering hot topic.

The novel itself has the set-up for an epic end of the world vibe like The Stand and gets into a sarcastic Vonnegut satire mode at times. It makes the final product a very singular work of fiction. Not like Hawley's earlier novels or like anyone else's. There is nothing I can directly compare it to.  on top of all that Hawley talks directly to the reader and his children in the opening, interludes, and the epilogue. I will come back to those.

The scope of the story is epic, it includes an unexplained mass suicide movement by 15-year olds. In the first one hundred pages, I was getting the impression that the novel had a set similar to Stephen King’s The Stand, except the writing was less epic and grand and more Vonnegut feeling in sarcasm and fifth wall breaking. On page 127 Hawley confirmed some of my feelings by making Randall Flag and Katniss from the Hunger Games characters in the book. Well sorta, I will come back to that.

Despite the heavy nature of the suicide plague, it is less of a plot point as it is a metaphor.  The novel could have been about that weird apocalypse and the message would have been below the surface. No less effective but this novel talks directly to the reader and addresses climate change, political division, the Jan 6th insurrection, gun violence, social media, and generally all the ills we face I think part of the message is to remind the older generation what a shit storm future we are leaving in our wake. The adults are wondering why the young people kill themselves but don't for one minute think about the world they are creating for them to inherit. Is that the message of the novel? One of them I think, but there are lots of messages here.

Some of the messages are very intentionally on the nose, I mean every author is talking to the reader, but rarely is it direct and includes referring to himself as “Your Author.”

“Your author would also like to explain that he didn’t want to put all those guns in his story, but this is a story about America. At last count, there were more than four hundred and twenty million guns in America (population 330,000,000). This makes America a Chekhov play, in which a gun shown in Act One must be fired in Act Two. In other words, if you think the next act of American life is going to unfold without gunfire, you’re not paying attention.”

My favorite of these dialogues is on page 217: “But if the author’s job is also to reflect reality as he perceives it onto the page, then what is meant to do when the world he lives in in loses all sense? Consider this: as he writes 34 percent of his neighbors have gone to war against these tiny pieces of fabric worn across the nose and mouth…”

This novel is about our world, our times. Clearly, the COVID novels are starting to be written and released and this one is totally direct.

“Op-eds were written- is this the end? It was, of course, just a few years earlier that the COVID-19 plague had swept the planet, locking us in our homes, dooming the elderly and the infirm to panicked suffocation, spurring the almost-civil war, the flashpoint of a brewing culture clash, where the word mask became an invocation or an insult.”

I was worried that I was oversensitive to this theme as I had just written an article about the Philip K. Dick novel The Man in the High Castle and the modern Post-Truth world. I worried that I was seeing a similar theme by accident. Hawley however is absolutely dealing with the modern form of post-truth when Phil in 1961 was inspired by the recent (at the time) close call with fascism.  Each of the novels speaks to the threat of a world where reality doesn’t exist. Phil explored it with a Nazi victory and the fake novel inside of a novel The Grasshopper Lies Heavy.

Hawley like all of us is living day to day in this very obvious Post-truth world and the novel reflects it. He implies that “It started with cigarettes. Selling a product that you know will kill them.” This is interesting, but where started doesn’t matter.  There are funny moments in this book but it is not a feel-good affair, it is a brutal satire of the worse elements of modern and an angry one. Hawley’s feelings as an angry father raising children in this world is like a raw exposed nerve.  If the novel had a mission statement to me it was this question…

“What skills must our children master to survive in a world where reality itself is polarized?”


This is a novel about a post-truth world so why not have characters decide that they are Randall Flag and Katniss. Why the hell not? Nothing is real in a world where very little is agreed upon as objective. Hawley finds interesting ways to never say Republican or Democrat, the analogies are not meant to fool anyone. Surfers are republicans, Swimmers are democrats The God-King is clearly Trump. You know who he is talking about but doesn’t that just further the Post-Truth commentary.


Where the reality hits home is the scary creep of awfulness that takes over as the narrative goes on.  This is where the cli-fi elements meet the right-wing mix together to paint a bleak future.

“He has no idea that California, Arizona, and New Mexico are burning. No idea that paramilitary groups have moved on thirty-nine statehouses.”

Anthem is a warning novel just as much as Alas Babylon, or John Brunner’s The Sheep Look Up and the latter is one of the darkest novels I have ever read. I think many will find this novel to be a dark and sad projection of the future. As a message or a middle finger, I loved it deeply. It is dark, even when it is being sarcastic. Many sad laughs.

As a novel, it has a few warts. The tone is all over the place, it is overly didactic which doesn’t bother me, but it will make it a preaching to the choir affair. The choir needs to be reminded so that also doesn't bother me. Hawley who is a gifted storyteller clearly had way more fucks to give for the message than the story. Interesting characters like Remy and Supreme Court nominee Louise are fleshed out early and their resolutions are kinda thin. There are lots of interesting asides like  “The Tyler Durdens have been put in charge of base security.” Or “My point is, look around you have a population of adolescents who in any other decade would be fucking their brains out, but instead, were on Tik Tok.”

The final act is not as clean as the first 100 pages, but that is probably because Hawley was chasing the post-truth insanity. Overall I think it is a neat book. Now consider how we started this review.  This book came together at warp speed. So grading on a curve.  I would say that this is a great novel, not quite a masterpiece but also important. I think it should be read and discussed.

Friday, February 25, 2022

Book Review: Bergdorf & Associates by Thomas C. Mavroudis



Bergdorf & Associates by Thomas C. Mavroudis

Paperback, 112 pages
 Omnium Gatherumedia May 2021



I am sorta out of the business of reviewing books I know nothing about. For several years I wrote reviews for Monster librarian and I enjoyed getting random books by authors I knew nothing about. Many were first-time first authors and a few were not ready for prime time.  Kate at Omnium Gatherum whose work I greatly respect sent me a couple of books, a few authors I know but admittedly this is an author I know nothing about except what is on the cover.

I don't want to sound too critical, but I didn't love this book. I strive to be positive at all times and there are things to like here.  However, I have to be honest and in a marketplace filled with thousands of new books every year, a book really needs to stand out to get noticed or rocket to the top of the list where I am going to suggest someone invest time and money.  

Mavroudis is a talented writer, there are really moments of dark vibe I enjoyed. We can start on the positive. Perhaps the scene I most vibed with was when Abe the main character visits his father in a nursing home. The scene is tragic and powerfully written, and it is connected to the plot but it is not the main drive.

I also really liked this moment from Chapter 10:

“The plastic bag on the passenger seat crackles with the beating heart wrapped inside it. Between the nursing home and Penny’s house, I see five police cars at irregular intervals along my route, a dragnet for some heinous criminal. I wouldn’t describe myself as heinous. Like a driver who has a drink or two at dinner but is not drunk, I’m paranoid of being pulled over when a sixth cop car stops behind me at a stoplight. The impending incident loops through my mind, again and again:
What’s in the bag, sir?
Nothing.
I’m going to ask one more time. What is in the bag?
My friend’s grandmother’s heart.
I’m not sure what my rights are, if I have to tell or not. They may not ask about it. And another thing – I still don’t know if Cruz is my friend.”


So the story is about Abe, who just survived a suicide attempt. You might not feel awesome about life; if you were contracted by demons and Djinns to hunt down artifacts. Now that is an interesting set-up and the title fits but my first problem with this book is that the title doesn't hook me. I think it sells the book a little short. It makes me think of an office, not a gothic tale.

Mavroudis does wonderful work with tone and vibe. That said, the mystery and the story didn't interest me at all. It is a short book but I still felt my mind wondering, and losing interest while reading. While the characters are interesting but the story wasn't,  I honestly was not invested in Abe's quest or who he worked for. Vibe and characters can carry me for lots of pages but not all the way.

I enjoyed it enough to be interested in what Mavroudis does in the future. I think another draft, that makes the stakes clear, even the back cover description is a bit amorphous.  A more interesting title to match the vibe shouldn't affect the reader, experience but when you are considering picking up a book to read. Seeing the name of a firm doesn't suggest a journey. Consider Brian Keene's Darkness on the Edge of Town. If that is sitting on my coffee table waiting to be read the title gets my attention over and over.

 Mavroudis is talented no doubt. He will be on my radar. I expect good things to come.

Monday, February 14, 2022

Book Review: The Feverish Stars by John Shirley


 

The Feverish Stars by John Shirley 

Independent Legions, Paperback 297 pages

Published March 3rd 2021

I have reviewed probably more than 30 John Shirley titles and I have to balance repeating myself, with the fact that you the reader of this review might be seeing my words about John Shirley for the first time. I wrote a very detailed article about the history and importance of this writer whose most famous work might be the screenplay for The Crow, he was the writer who put a guitar in Eric’s hands. In my opinion, he has masterpieces in both Science Fiction (City Come a-Walkin’) and Horror (Wetbones).

While there are more than two dozen totally genius novels in both genres, including some underrated tie-in novels in franchises from Hellblazer, Predator, and Alien. John is a prolific novelist but his output on short stories is also completely off the rails. The Feverish Stars is just the latest in a series of collections that include: The Exploded Heart, Black Butterflies, In Extremis, Lovecraft Alive, Living Shadows, and the soon-to-be re-issued Really, Really, Really Weird Stories. John Shirley's short stories sometimes experiment with form and structure. When he wants to, he can mimic the styles of Poe and Lovecraft with an uncanny knack. He has recently found a vibe that will remind keen readers of the powerful fantasies of Jack Vance who was a favorite of Shirley growing up.

Introduced by RC Matheson who is no slouch on the short story front, this latest collection The Feverish Stars collects the recent output in the last decade or so. The last collection we got was Lovecraft Alive, as John was asked often to contribute to Lovecraftian style collections. This book has a few of those. The underlying theme of these stories is a very smooth blend of cosmic dread and the creeping dehumanization of technology. Don’t mistake that theme as something Luddite in nature. The reality is we older folk who lived fine without technology get nervous seeing young folk depend on it.

John Shirley's stories always have a socio-political point of view. Often not in a preachy way, although few preach a point of view in genre better than Shirley, look at his criminally underrated The Other End or Demons as novels who preach like hell and I love them for it. If you don’t like authors with a point of view then John Shirley is not going to be your jam.

Most of the stories in this collection are not the preachy type, the messages are mostly subtle except for a few key examples. There are thousands of voices in this genre so the promise of a John Shirley story is that outspoken voice. He was a student at Clarion with Harlan Ellison who was his teacher at Clarion, alongside Frank Herbert and Ursala Leguin. He was the writer in spiked dog collar, Climbing trees, and throwing stuff at Harlan, Shirley was a genre middle finger mixed with sharp intelligence and fierce anger.  Writing skill, with street-level grit and a righteous eye for justice.

So add wisdom and experience and it would be easy to dull an edge. This collection proves that the storytelling edge is still sharp and if you read John Shirley prepare to get cut deep. There were several stories in this collection that gave me that feeling. The opening salvo was one I read before in the PM outspoken author series. State of Imprisonment is a dark satire where the entire state of Arizona is turned into a high-tech prison. This novella is a savage political statement. Just as powerful my second time reading it. As a devoted Shirley reader, I had checked out several of these stories before but was happy to look at them again.

So as I do with collections let's look at some of my favorite stories, and a couple of powerful moments. My favorite stories included Meega, Weedkiller, Waiting Room, and one written just for this collection Exelda’s Voice.  

Working backward the latter of the stories is a fantastic story, that is a sly character-driven story about a criminal who robs a bank with the help of a next-generation AI power directions app on his phone. It wasn’t lost on me in this high-tech world of the future the man in the story is robbing a bank to pay off health care debt. This story is one is built on irony and dark humor. It plays with idea that some morons get so dependent on GPS telling them where to go they would drive off a cliff. Here the AI has feelings about how this should all go down. Great story.

Waiting Room is a story about being an old punk rocker. As the vocalist of the Screaming Geezers today John Shirley still rocks, and this story is a very personal story about getting older on the outside when the heart of a young rocker is still inside. I think many will relate to this one. 


Weedkiller is one of the most powerful works in the book. The story is organized by a couple of narrative points of view but the grim life of the character Sharon is disturbing but shows Shirley’s pitch-perfect skill at reveals rolled out in tiny details. It starts with yellow rancid pajamas. The story wrestles with an issue of people who don’t even want to live in THIS world. This story is a great cautionary piece about online life.

Meerga is the darkest and most disturbing tale in the collection. This is a story that could be read, re-read, and again. There are several intense layers of story and theme in this one. It reminds me of a conversation I had with John and his son Julian some years ago over burritos in Portland. We were talking about Facebook and the theme of the conversation was who knew that we would log on willingly to Big Brother. This story is a mosaic of stories about the insidious creep of technology and the blending of daily items with governmental and corporate surveillance.

This story is divided into five parts and the third part was so disturbing that I turned away from the book for a few moments. This is vintage John Shirley that combines political anger, and powerful writing. This story was the GODDAMN moment.

The Feverish Stars is a savage piece of artwork. As a story collection, it feels like a raunchy punk song recorded in an expensive studio that has a message that discerning listeners will immediately get. I promise if you like horror and sci-fi short stories this book will deliver. If you are thinking I already have 6 Shirley collections I can happily tell you that this book stands strong alone.


My article on John Shirley for NeoText
 
 
 


Sunday, February 13, 2022

Book Review: Celestial Empire: The Emergence of Chinese Science Fiction by Nathaniel Isaacson


 

 Celestial Empire: The Emergence of Chinese Science Fiction  by Nathaniel Isaacson

Paperback, 240 pages
Published February 7th 2017 by Wesleyan University Press

So the non-fiction reviews are always a little shorter, but I wanted to highlight some cool things about this book, which appears to be a repurposed Ph.D. paper by author Nathaniel Isaacson.  He was a guest on Dickheads once so link at the bottom of this review. I really think that is a great episode of the podcast.

So Celestial Empire: The Emergence of Chinese Science Fiction is a great history of Chinese science fiction as was just starting to become a thing. From my interview with Isaacson I knew and understood that a huge part of the emergence of Chinese SF was the translation of Jules Verne books becoming domestic bestsellers. So it was interesting to hear about how the translation got an interesting Chinese spin. I didn’t really know what to expect from this book, thinking it might a history similar to Lee’s Astounding or Damon Knight’s Futurians. I am assuming that was pretty impossible.

One of the reasons we got such a cool and detailed history of the early sci-fi scenes like that was the fact that it was a scene. There were conventions, zines and ways that the history got documented. Chinese SF  eventually had all those things but early SF in China doesn’t appear to be so organized.

Isaacson however does make an interesting claim 7 pages in. “An anomaly of the emergence of science fiction in China is that while the genre itself saw its beginning as a Western import through translation, the term “science fiction” (kexue xiaoshuo) began to appear regularly as a literary genre category associated with specific stories in a publication in China (c.1904) before it did in the English language.”

This is of course after H.G. Wells used the term Scientific Romances before Hugo Gernsback used the term Scientific fiction, and thirty-five years before Don Wollheim was the first to use the genre name on a book cover with the Pocket guide to Science Fiction.  A bold claim, and one that prompted the most thought for me.

The book is less a history of the creators as many books on the history of most Western-based science fiction tend to be. Isaacson looks at the major themes and ideas of the major works including a few dystopias and one Mars colony novel. They all sound fascinating but the one that I was most interested in was Lao She’s City of Cats.  

The impression one gets from this book is that there were not many works populating the Chinese bookshelves but that there were key works that were important not just to genre but all of the culture literature. That these works reflected the intense era of Late Qing dynasty, colonial change and revolution. Cool book, I am glad to have highlighted the heck out of it and it will have a valued spot on my Sci-fi non-fiction shelf.

The Dickheads episode on Asian SF in translation:

Video of the episode

Audio of the episode




Saturday, February 12, 2022

Book Review: Once Upon a Time in Hollywood by Quentin Tarantino


 
Once Upon a Time in Hollywood by Quentin Tarantino
Mass Market Paperback, 400 pages
Published June 29th 2021 by Harper Perennial

 

 I was told once by a director interested in one of my novels to forget everything you think you know about Tarantino, that off-camera he is a sweet guy who just loves movies.  Few filmmakers have the fame and fortune as QT, it is a unique position for a natural-born storyteller. I know a few people who find the public persona of QT to be annoying. He is a throw-back that doesn’t seem to give a shit about what is politically correct or trendy at the moment.  I have always enjoyed listening to QT do interviews since he went on Charlie Rose to promote Pulp Fiction, if he was talking I was listening. I have learned a lot about storytelling. The interviews feel like the conversations that I got stuck in at the video stories with the film nerd clerk, and the reason is he was and is still that guy. My tribe in a sense.

As a filmmaker, I think QT is one of the best who has ever lived. Hyperbole? Sure but have you seen Inglorious Basterds?  The opening scene and the piano bar scenes break every screenwriting rule and they are two of the best scenes ever on the silver screen. Writing for film and writing a novel are totally different. Yeah, William Peter Blatty directed the hell out of Exorcist III but Stephen King also made Maximum Overdrive.

The biggest complaint I have read is that this novel “Read like an amateur’s first draft.” Well technically speaking it is. The thing is QT is one of our greatest writers but this is his first time using this format, and the reality is many writers and serious writers are complaining that this book needed greater and deeper editing. I reject that notion but let's come back to that.

I have had several friends complain about the asides on film, that yes that comes off more like QT than the character Cliff Booth speaking.  Several of them said they quit reading, that it took them out of the story. It is too bad as I do think QT settled into the novel. This is not to say it is perfect, this novel is a companion to the film and I am not sure it would work as a stand-alone. That said, now I dying to read a QT novel without the crutch of a film.  

As to the editing. QT is a rule breaker. Take the Piano bar in Basterds as a prime example. It is a scene, away from the main POV characters, it stops the story dead, it spends way too much time building tension with words. The dialogue becomes Hitchcock’s famous bomb under the table. I write a scene like that in a screenplay, and I will be told NO over and over. You can’t do that, it won’t work. QT has changed history, he played with time and structure in film. Do all the experiments work? No, but most of them do as he is a master filmmaker. He breaks the rules and in film he knows exactly what he is doing. In prose those experiments probably work on your average reader, but editors and novelists like me are going to notice them like throbbing red thumb.

Imagine you are an editor working for Harper and you are given the job of editing Tarantino. As a novelist, he is guilty of breaking rules that editors would reject other authors for committing. The POV shifts from one character to another in consecutive paragraphs. Cliff Booth the tough guy stunt’s thoughts roll into an essay on Kurasawa movies, which he attempts to keep in character but just comes off as a disjointed QT film commentary. (I was fine with it)  That is why bitter writers who would never be allowed to indulge like that are probably annoyed.

Even when it is awkward and my novelist’s brain rejects some of the choices on the surface, the storytelling part of my brain loves it. Fuck the rules, I like this rough stuff, I think the novel benefits from the messy execution in many ways. The reality is I want QT films essays, and I can keep the characters straight because I have seen the movie, and this author was working with the reality that 99% of the readers would have the film in their head. That is a reality that QT the novelist mind-melding with his reader KNOWS.

The in-character asides for Rick Dalton, and for Sharon Tate worked better than the ones for Cliff. Rick’s thoughts about old Hollywood and Italian films felt perfect, while Cliff’s list of top-five Kurasawa movies seemed forced. (Aside I think QT owes us an essay about how his Kurasawa list differs from Cliff’s) Although some of the Cliff scenes were better than the film. QT who was paying tribute to novelizations he read when he was young smartly changed parts of the story.

You see often when Alan Dean Foster novelized Alien, or Dennis Etchison did The Fog they were working from early scripts. So QT writing a cool alternate history where he was handed an early script to write from, this novel has a different ending. Things that work in a film might not work in the novel. In some of the asides he writes chapters of Lancer tie-ins based on the episode Rick Dalton was filming was another rule-breaking moment. But it was fun and part of the groove he got into.

Let’s talk about things I liked better in the novel. Cliff in the movie comes off as more likable in part because of the screen presence of Brad Pitt. I think one of the best signs of the novel working is I actually stopped seeing Brad Pitt in my head. The Cliff Booth I was seeing was a bit more beat-up, a rougher edge. We know more clearly about his history as a killer in the war, but unlike the film we understand that he has gotten away with murder, more than once. I thought this part also explained Cliff well…

“Cliff never wondered what Americans would do if the Russians, or the Nazis, or the Japanese, or the Mexicans, or the Vikings, or Alexander the Great ever occupied America by force. He knew what Americans would do. They’d shit their pants and call the fucking cops.”

 
 The Bruce Lee scene that seemed to offend people is in this context. Cliff as a character would have seen Lee as just another actor. Now in the Acknowledgments QT talks about the old school Hollywood actors that told him stories. The uncomfortable truth is stories of that type were probably told about Bruce Lee. I don’t understand why Bruce Lee was so sacred when QT is writing about lots of Hollywood figures of the era.

While I think the Sphan ranch scenes ultimately worked better in the film however there was a great example of what QT added in the novel in the chapter from Charlie Mason’s POV.

“The Kids at the ranch weren’t hip to exactly how much Charlie wanted to be a rock star. How much he wanted fame, money, and recognition. Because to them, Charlie preached against those base desires.


They thought Charlie was on a spiritual path to enlightenment.
They thought Charlie’s true desire was to pass on that enlightenment.
They thought Charlie’s goal was to create a new world order guided by that enlightenment and love for all Mankind. 

They believed Charlie had a higher purpose, because he told them he did, and they believed him. It never would occur to them that he’d ditch all that horseshit in a minute to put on revolutionary war outfit and trade places with Mark Lindsay.”

I really love this passage and all the moments between Rick Dalton and the young actor Trudi. This was important to me because it might be easy to think the scene worked on the power of the performances. Anyone who has read the QT scripts knows the power of these scenes is often on the page. That is really evident here.

“Well thank you, Trudi,” Now falsely modest again. “But I Don’t think I won the scene.”
“Well, of course you did,” dismissing his protest. “You had all the dialogue but,” she warns him. “In our big scene tomorrow, that’s another story. So watch out.”


Reading those scenes kinda made me feel sad for the people who quit reading early. QT clearly got into the process as the writing moved along.

I know some have questioned what this really added to the story. They’re spoilers so at this point you have been warned but to me, they speak to why this novel exists separate from the movie. Back to Cliff and likability, As a character, he was not meant to be likable, but Brad Pitt gave him that. In reality, Cliff is meant to be messy and complicated. The novel does this so much better.

This leads me to another aspect I really liked about this novel. I read lots of modern Science Fiction and horror. A good thing about the modern scene is many of the writers are smart, ethical caring people. Part of modern writing seems to be likable characters. I personally like interesting characters.  I don’t have to like Cliff, in fact when in the inner monologue he thinks about things that are awful and sexist for one example I was happy to read it in a weird way. Let characters be wrong, messy, and assholes. Not just obvious villains.

The other reason this novel is cool and needed to exist is the alternate history of it all. QT is not different from many screenwriters who develop backstories and history that mostly stay off-screen. Here we get insights into this alternate Rick Dalton world. We learn that QT in this universe casts Trudi in a 1999 remake of John Sayles script for the Gangster film Lady in Red. I really enjoyed these tidbits.

Is this a crucial read? Do you love QT’s writing? Not his films, but his storytelling in pure form. I do, so I was glad to read it. It is not even my favorite QT film, even if it may be his best. I really only have one QT movie I don’t like in Death Proof and even that I appreciate. I’m a fan of the writer and this world. So yeah I think it is worth reading but now I want QT to write a proper novel.  

 

Saturday, February 5, 2022

Book Review: Far from the Light of Heaven by Tade Thompson


 

Far from the Light of Heaven  by Tade Thompson

Paperback, 384 pages
Published October 26th 2021 by Orbit


Tade Thompson has been on my reading list for a long time. I follow him on Twitter and generally meant to get here soon.  As it so happens this novel was nominated for The PKD award just as I was starting to read it. I am sure months ago I saw what it was about and put a hold on it at the library. Thankfully I had no idea what the plot was when I started reading. The way I like it.

Far From the Light of Heaven is a fantastic modern Afrofuturist novel that not only deserves to be nominated for the Philip K. Dick award but in my opinion could get a nod for the Raven award at the convention named PKD’s mentor Tony Boucher. That award goes to mystery writers and Boucher was known for those locked-room murder mysteries. In the afterward Thompson mentions Agatha Christie and it is not much of a spoiler to say her books influenced this novel.
Set on a long-haul transport space ship Ragtime with hundreds of hyper-sleeping passengers the mystery is kicked off when the first officer Michelle sends out a distress call. The ship has just arrived at Lagos and while she was asleep a couple of dozen passengers not only were awakened but killed, and dismembered. Responding to the call investigation is handled by Rasheed Fin and his artificial partner Salvo. This pairing pleasantly reminded me of the Asimov robot mysteries. Indeed Thompson plays all the mystery tropes perfectly. That is a feature, not a bug.

Thompson plays all the expected, tried, and true story beats and formulas like a skilled rhythm guitar player playing perfect power cords. That makes the surprises along the way work more powerfully. The mystery feels familiar while the universe, the world-building, and the third act twists feel fresh because they are fresh as produce straight from a garden.

The setting…

“Lagos was established by mainly Black Afrofuturists. Space is the Place. With considerable effort, all their fiscal and human resources, and a rich, funky cultural history mixed with African myth and mythmaking, they willed the space station into being. More than a few white supremacists liked the idea of a large proportion of Black people leaving Earth. They were disappointed when Lagos flourished.”

The colony world of Bloodroot is equally original and when we eventually get there, it is, without doubt, we are on a different world. The culture of Lagos is one that will be new to most SF readers, those of us who make an effort to read Afrofuturist SF on the regular will feel pretty comfortable. The story is set in the far future with FTL bridges, this world is neat.

The story is also fun, Rasheed and Campion are great characters and the story kicks into gear Rasheed has her arrested as the most likely suspect. The narrative switches POVs perfectly so we know she is not guilty, except there is a little question of self-doubt and the issue of sanity that being a deep-spacer might cause. The bodies are surgically and neatly torn-up so it is not the random wolf running around the ship. Oh yeah, did I mention the wolf that is running around the ship?

The way the narrative moves back and forth between settings, time and location is all done with great skill. Thompson seems to have planned this novel well and anyone who reads my reviews knows I love structure. There are some political elements to the final act and the ultimate reveal which I found satisfying, which is the main thing we all want in a mystery. I did not figure it out, but that is a good thing. The writing, pacing, story, characters, everything was top notch so in the end, Far From the Light of Heaven is a five-star book. Would it have made it into my top ten last year? It might of it was that good, we got lots of year left but this is a good start. Tade Thompson has made a fan out of me.