Tuesday, June 27, 2023

Book Review: False Dawn by Chelsea Quinn Yarbro


 

 False Dawn by Chelsea Quinn Yarbro

Paperback, 228 pages

Published 1978, Babbage press reissue 2001

It is not just Philip K. Dick but I have a fondness for writers with Berkeley connections. It helps that I walked around that city connecting with the deep genre history. Those three words are something I associate with Chelsea Quinn Yarbo. She wouldn’t remember me but in 2014 I was on a panel about writing vampire fiction. At the time I had only my Chinese vampire novel Hunting the Moon Tribe, and CQY had written the longest-running vampire series ever. Since there are many multi-book Vampire series that is an accomplishment. (30 plus titles in the Saint-Germain series)

I was excited to sit next to her.  I knew the honors she had piled up. I didn’t know that the Transylvanian Society of Dracula existed until they gave her a literary knighthood. In 2003 the World Horror Association declared her a Grand Master award, three years later the International Horror Guild named her a Living Legends, and another three years the HWA gave her a Life Achievement Award in 2009. She had to wait five years before she got a Lifetime Achievement Award from the World Fantasy Convention.

I have always respected her work and output. I read many of her books before I started doing reviews. So this is the first time on this blog we have gotten down CQY style.  With my reading leaning mostly towards Science Fiction, I had made the mistake of typecasting this author as an author of historical vampire fiction. My bad.

I was led to this novel by the anthology The Future is Female  Vol 2.  Edited by Lisa Yazsek. That book features a prequel short story to this novel, I love the story and ecological collapse novels are one of my serious nightmares. (I wrote my own – Ring of Fire from Deadite Press) In my podcast interview with  Lisa, she compared False Dawn to one of my all-time favorite novels John Brunner’s The Sheep Look Up.  SOLD.
 
That novel is so bleak  I have had people curse me out for recommending it to them.  It is great but That novel can make Cormac McCarthy feel like Disney. The thing is I like novels that are as Spinal Tap put it “Blacker than black.” This is bleaker than bleak and Yarbo in my opinion earned her Living Legend and horror grand master with this insanely grim ecological apocalypse novel alone.


Not for the light-hearted. If you don’t want the grimness ruined/spoiled take my word for it track down this novel and come back for some commentary.  Again if you don’t like bleak novels this one is not for you. That is how amazing novels like this end up with angry one-star reviews.

False Dawn takes place a few decades after society collapsed from a series of pollution-related birth mutations. At the same time, ecological pressures begin to poison folks and everything falls apart.  We follow Thea, a survivor who was pretty young when it all went down so all she knows is survival.  

One of the great features of this novel is there is no sense ever that people are coming together to rebuild, or even put together a small community. People are fucked, they will stay fucked, and if you are lucky you might get a few weeks hiding in a house eating canned foods or hunting skinny, dying animals who are fewer and fewer in between. Hope is not a thing.

In the bleakest Meet-cute in the history of stories, Thea runs into a former pirate who is running away from his old gang with his gang-greening cut-off arm pinned to his jacket.

“She stood in the doorway looking down at him. “Why’d you keep it?”
He drew in a breath.  “They were looking for a man with one arm.  So I pinned this to  my jacket. It’s going bad-I can’t use it much longer. He paused a moment, then finished, “I can’t get any further without help.”


Evan is a bit older, and was a parent who lost a wife and mutated baby before escaping Europe with the hopes that America was better off.  At some point, he headed west and started a  pirate gang trying to survive in the re-wilded California. This makes False Dawn a very California book.  A depopulated California has become a harsh island of survival and outside of rumors the rest of the world might as well be Mars.

I have read many books set after the end of the world as we know it, more than any other False  Dawn captures the suffering, and tortured battle for survival in this world. The horrors are also greater for a reader like me because outside of the random canned food the other thing they are eating, are the animals who are also slowly starving to death. Eating and hunting animals is a huge part of survival in this world so that adds a bleakness for this 30-year vegan.  Dogs are also fighting for survival and not even close to man’s best friend anymore. There is something so gross about that loss of relationship, the novel doesn’t focus on that but the feeling is clear.

The first time we see any evidence of humans working together is not a cheery one either.

“Poor Bastards,” Evan muttered as he moved closer to the road.  His eyes dwelled for a moment on the cart with the children, then he turned away. Even in the years when he lead the Pirates, he got used to the terrible deformities that were appearing more and more in the diminishing number of live births of the few surviving men and women. These children in the carts were no exception: Only one looked close to normal, all the other seven had defects ranging from a few extra fingers on each hand to hideously stunted bodies, to limbless trunks, to hornlike growth on lead-colored skin. Evan saw that two of the women were pregnant, and wondered, as he had done before, what could drive them to bear children with the hopelessly testimony of children riding in the cart.”

There is no going on for the human race. This cold reality hangs over the novel and makes this end-of-the-world novel extra dark. The bodies of the children who have the unfortunate luck of being born to carry the sins of the dark times when everyone thought they could have everything. 


Thea as a character doesn’t exactly feel sorry for herself, this life is all she has ever known. Evan her traveling partner remembers when all went bad in the early 80s twenty years earlier. Thea is a victim of Rape, has never known love so as she and Evan survive together and they develop feelings she has no context for the closeness he desires. Thankfully he respects that throughout the story. Their travels have ups and downs even after trying on a dress one - this is one of Thea’s first light-hearted moments of joy we see and it is short-lived as CQY reminds us where we are in the next paragraph.

 “The Bathroom was filthy, as Thea had thought it might be. Years of excrement clung to the toilet bowl and the smell, deadened by the cold, still hit Thea like a muffling blanket as she opened the door.”


On their travels they avoid the Pirates, even if Evan had been one of them it only serves to remind them of the cruelty. There is a weird aside when Thea and  Evan find a strange cult of survivor monks. Who wants them to marry, Evan despite loving Thea tries to stand up to the monks. “You must not do this, Father. In your compassion” – he spat the word- “You cannot do this. She has been raped. That is the mark of a brutal man, not the devil.”
An expression of pity came into the Monk’s eyes. “So she has deceived you,  my son. Her words of honey have led you into error. There is no rape,  my son there is only the sin of Eve.”


    We learn at this time that Evan was married. That he had children. He had guilt about it.
    
“But there’s lots of deformed kids,” Thea said reasonably, not quite understanding. She had never seen families who, if they had children at all, did not have at least one child who had not turned out right. Even in her controlled environment where each of the pregnancies had been tended with precision and care, her brother Davey had not been normal. For a moment she could see him again as she had last seen him, nine years old, lying in his bed and crying as he flailed his spidery arms about, futilely trying to grasp something, anything, with his limp bony hands.”

    Even as the monks torture them for refusing to bow to their survival cult, Evan tortures himself with the memory. It is a powerful character moment because it is then that Evan figures out that Thea has never loved. She doesn’t know the world as it was.  The monks and the pirates end up killing each other. Our heroes are more than ready to let them fight, but escaping means losing everything they had to survive. Including their precious crossbows. They start again from nothing surviving keeps them from having to confront Evan’s growing feelings.  


    That is until they find a home where they can eat, build a fire, and take a bath. For months they settle in a play homemaker. Evan reads to her novels from the past world and they try to make love. It is a challenge at first but Evan is teaching her for a moment to live like it was but that prompts Thea to question.

    “It was a waste.” His voice was harsh.  “A  whole city died because too damn many people lived there. They all wanted things. Another car. Television.  Wash-after-one-wearing clothes. Freezers full of food. Everyone wanted that.” He stopped long enough to finish the brandy in the glass and pour more.  “It wasn’t their fault, though it wasn’t. No one told them the truth.No. Not the truth Truth. Truth.” He wagged a finger at her – “Doesn’t win elections. Or sell papers Truth isn’t popular.  So they died.   Suddenly he stopped. So we’re like goths living in the ruins. The dark ages comes again.

    In the very end, there is still no hope but Evan and Thea find love and are willing to stay together. It makes for a nice romance surrounded by this super bleak novel. False Dawn is incredible,  up there with the most powerful of post-apocalypse novels. A real gem of ecological horror and Speculative warning. We should be happy this world never came to be but Yarbo does an amazing job painting a dark classic. I  loved it.  

Sunday, June 25, 2023

Book Review: Lone Woman by Victor LaValle


 

 Lone Woman by Victor LaValle

Hardcover, 285 pages

March 2023,  Published by One World

My first experience with the work of Victor LaValle was the amazing deconstruction of HP Lovecraft and his racism in the novella The Ballad of Black Tom. It was a simple but powerful take on cosmic horror and racism. The Changeling is the only other book of his that I have read. I was struck by how much that book defied my expectations. I realized quickly, that LaValle was a gifted storyteller that you could follow no matter the genre or concept. He is a gifted storyteller.

So I put this on hold at the library only knowing the name of the author. Seeing that this was a period and a Western I admit I wasn’t sure. I had been on a really good roll with modern Science Fiction lately but I trusted LaValle even if I wasn’t in the mood for a story in this genre.

I was rewarded for this trust as Lone Woman is a fantastic novel, a character-driven horror novel that works on all levels. The characters are perhaps the strongest element. While we meet many interesting people on the frontier it is the travels of Adelaide Henry, a single black woman homesteading in the old west whose eyes we see this world through.

It is 1915, She had to leave her rural California home in a hurry. Bringing with her a huge steamer trunk that she keeps locked. She travels to claim a home in the countryside in Montana. The state desperate for population offers land in the countryside to anyone who can tame it. Adelaide thinks it is perfect, she and her trunk are away from everyone.

This is a horror novel so as you imagine there is something awful that she is hiding in that cabinet. LaValle does a wonderful job carefully seeding that part of the story. For the first hundred pages I felt a Toni Morrison or Alice Walker vibe. While those two women are not marketed as horror they were really good at historical period novels that highlight the horror that women in the past dealt with just living in those times.

The first act really highlights Adelaide’s isolation in the countryside. I thought the novel would be focused on the lengths she would go to survive and “tame” the land. After a short time and some hardship, she meets neighbors who live across the valley, a mother and son. A friendship forms and they even do things like go to won together and eventually to a dance.

Lone Woman takes place in the twentieth century, but set on the frontier it may as well have been set during the civil war. The nuts and bolts of world-building and survival on the frontier is so strongly written that I forgot about the trunk until a moron opened it. Adelaide let her guard down and met a man named Matthew at a dance, he opened the case and paid dearly for this mistake. He was curious but should have left it alone.

“A funny thing happens when a man thinks he has a woman's company all to himself.
He may show a face to her that he would keep hidden if there were even one more person around. He speaks from his secret self.”

I was nervous Matthew would hurt her, but he opened the trunk and thus, he was attacked by a monster. When he awakes he is in shock, was it an animal? Adelaide’s secret is a monster that her family has hidden in the trunk, now we know why she had to run from California.

“This woman. Will we see her recorded as a brave soldier in their war? Or will she risk being forgotten? We can do our part. We can remember her. History is simple, but the past is complicated. I, for one, embrace the complications.”


She is not the monster, but it wouldn’t die, she couldn’t kill it. It is at this point more than 1/3 of the way through the book that the true nature as a supernatural horror hybrid with Western is revealed. Horror westerns have become a thing recently in the small press, but this one took me by surprise. It shouldn’t have. I have read this author's excellent work before.

Character-wise the monster is a metaphor for guilt and shame that Adelaide is living with.

“There are two kinds of people in this world: those who live with shame, and those who die from it.”

That is one of the things that elevates the novel, but in the end, it is simply an effective horror novel. Plain and simple. One of the most powerful moments for me happened when Adelaide return with her horse Obadiah. She cared for the horse and thought about the horse’s feelings something you rarely see in Western novels. That is why she discovers the trunk open we fear the horse.

“One of the doorway beams had yanked out so far it formed a sharp close to a Y, and without any better option, she tied Obadiah off right there. She gave the horse a calming touch then she moved on. As soon as she took two steps, Obadiah stepped forward, too trying to keep close to her. She put up her hand and urged him back but returned to his side and offered a calming touch to his neck. When she walked away the second time, the old horse didn’t try to follow.”

There are moments like these when LaValle is dialing up the suspense, he does this by manipulating the setting, our expectations about characters, and the feelings we develop for them.

There is also witty dialogue like this exchange in chapter 61.

“You’re wearing a pistol,” Sam said
“Yes, I am.”
“You weren’t before.”
“That’s true, Joab agreed “Mrs. Reed gave it to me.”
“Is it for me?” Sam asked unable to look up from the floor.
“It’s for whoever needs it,” Joab told him.


I expected a grim frontier tale, and there are moments that feel that way. The novel never felt like a chore or a slog to me. LaValle knows how to pace the tale, and I was surprised when I quoted the dialogue above. I had no idea there were sixty chapters…because the book flowed and was a page-turner throughout. Great stuff. 

Sunday, June 18, 2023

Book Review: Raw Deal: Hidden Corruption, Corporate Greed, and the Fight for the Future of Meat by Chloe Sorvino


 

Raw Deal: Hidden Corruption, Corporate Greed, and the Fight for the Future of Meat by Chloe Sorvino

352 pages, Hardcover

December  2022, Atria Books


I can’t divorce my reading of this book from thirty years and five months since I decided to become vegan on January 31st, 1993. Many things have changed since then. Bill Clinton was just starting his presidency. The ultimate signs that I have been vegan a long damn time, are the growth of products (vegan cheese or the existence of dozens of brands)  was unthinkable and I have adult co-workers who are legal teachers younger than my veganism.

The main reason I wanted to read this book relates to my inspiration to become vegan. In 1992 the straight-edge hardcore scene (essentially my tribe at the time) had plenty of vegans inspired by bands like Earth Crisis, Raid, Vegan  Reich, and Outspoken. I had role models who were vegan but it was reading books.  Diet for a New  America by John Robbins, Animal  Factories by Peter Singer, and Jim Mason. They didn’t just suggest the idea that eating animals was unethical but they were filled with facts and numbers that highlighted the scope of the industry and the destruction of the animal product industries. These books rule, they hold a special place on my shelf. The fact is they are as out of date as the Vegan Rella cheese we tried to convince ourselves was good in 1994.

When I became  Vegan these books were important tools for changing lives.  Now documentaries, like Meet Your Meat, Earthlings, Forks over Knives, and Cowspiracy, have inspired younger generations.

My hope was that Raw Deal would have updated facts. Written by Chole Sorvino who comes to the subject with her own bias. She and  I are never going to agree, I respect huge swathes of this book but I can’t understand some conclusions she comes to.   

I do think this book is important and should be read with some reservations and trigger warnings. Sorvino who covers food and drink for Forbes a magazine that describes itself as a leading source for reliable business news and financial information. So basically she writes for the ultimate capitalism about food so just understand that.  She can’t deny how awful these industries are but, in the end, will twist herself in pretzels to find excuses to eat meat. I can’t understand how anyone can watch a video of a slaughterhouse and still be so heartless to eat this stuff but Chole Sorvino writes in graphic detail about directly killing animals with her own hand and then devotes part of the book explaining where she buys her meat. I can’t understand that at all. Maybe you can, but I can’t.

What are the good and important updates in this book? The clear and present danger that eating Animal products is for climate change is clear here. We knew in the 90s, but the facts updated here are important. 14.5  % of Greenhouse gas emissions come from Livestock production for one easy-to-digest fact. The amount of water and grain wasted has only gotten worse.  This book highlights the sexual and physical toll the meat industry has on human workers, which should be no surprise coming from an industry that turns living, feeling being into plastic-wrapped products. There are a few updated facts like one from 2018  that showed climate change is making food less nutritious in general.

The information about lab-grown meat, something I have excepted as helpful against my better judgment is all good information. I found it interesting the length the Just Egg guy is going to keep control of his company. So yes this book has valuable stuff in Raw Deal.

The What-about-ism is strong when Sorvino tries and fails to make the supply issues of  Impossible or Beyond comparable to meat in a negative light. Of course, we lived and ate vegan for a long time without those products and they could never be as destructive as food that has to consume as much grain, water, and pee/poop like meat products do.  

Raw Deal is an important but at the same time problematic book in my personal opinion. I generally prefer at this point not to be combative about these issues and live by example. The fact is meat is murder not just in my head, but in my heart. I know I live behind enemy lines. This culture views non-human animals as products that can be sacrificed for taste buds. This is a conclusion reinforced by author Chole Sorvino. Any book about the meat industry that returns to that conclusion is ultimately a part of the problem. We can’t sustainably feed this planet meet and have future generations so we need books that don’t just give the fact but offer radical solutions.  

Saturday, June 17, 2023

Book Review: Philip K. Dick and Philosophy Do Androids have Kindred Spirits Edited by D.E.Wittkower

 


Philip K. Dick and Philosophy Do Androids have Kindred Spirits Edited by D.E.Wittkower

350 pages Paperback

 October 2011, Open Court publishing

I have mixed feelings about this book. It is in the popular culture and philosophy series. I think every popular TV show has one. My first experience was with The Man in The High Castle edition, we had one of the co-editors on a panel episode about Man in the High Castle. Like that book, The highs are very high, and the lows are super low. I have respect for editor D.E. Wittkower who I interviewed on background for a chapter of Unfinished PKD.

In the 350 pages, there are 30 or so essays and two Philip K. Dick short stories. I would say maybe 15 of the essays are valuable. The ones that are not are written by academics who frustratingly write about the movies based on PKD stuff and at best have read the novels or stories related to such novels. That’s it.  

The ones that are valuable are written by researchers who have read everything and can for example go deep on Solar Lottery.  The 10th Ben Saunders essay “How to Build a Democracy that Doesn’t fall apart Two Hundred Years Later” is more than a title that plays with one of Phil’s deep-cut essay titles. It is a really valuable look at Solar Lottery, but highlights understanding of the entire PKD canon which for a nerd like me is super valuable. This essay was enough to justify the book and the money I spent.  

I had a similar reaction to Andrew Butler’s excellent essay “If the Universe Isn’t Real How Should We Treat Other People.” This essay did an excellent job of looking at the entire PKD  catalog and the implications of his What is Reality questioning.

Major props to  Wittkower D.E. for Time in Unfixed Are You, a totally backward essay on Counter clock world. “.Precog a are you”

I liked the little PKD humor like calling the About the authors “Skin Jobs.” There are plenty of essays that you will end up skipping. Adjustment Bureau was the most recently released movie so it will feel like there is way too much focus on that one- because there absolutely is. The good is good enough to put it on your shelf if you are a serious Dickhead.
 

Wednesday, June 14, 2023

The Last Night to Kill Nazis final Blurb reveal

 


 

"At the beginning of The Last Night to Kill Nazis, David Agranoff lights a fuse that burns with perfectly-timed suspense to an explosive resolution. This mash-up of World War II thriller and vampire horror is exciting and authentic; like peanut butter and chocolate it shouldn't work, but it does. I loved it!" - Lisa Morton, six-time Bram Stoker Award-winner 

 


 

 

“A masterpiece of characterization, pacing, and atmosphere! In The Last Night to Kill Nazis, David Agranoff delivers a true page-turner that pits supernatural evil against even darker and more horrifying human evil in a story that hearkens back to the best of the classic World War II and horror movies—yet feels completely relevant today.” --James Chambers, Bram Stoker Award-Winning Author of On the Hierophant Road and On the Night Border.

OK here are all the blurbs together...


 

"It's time to face the truth! You've always wanted to see vampires fight World War II nazis! In your heart, you craved it! But you said, no one could do it right. You hadn't counted on David Agranoff. He's shown us how it's done right! Don't miss the high-concept schadenfreude and fierce plotting of The Last Night to Kill Nazis!"  - John Shirley author of Stormland

 "The Last Night to Kill Nazis is solid storytelling packed with real history and--if you are of the mindset that evil deserves to be punished--a whole hell of a lot of bloody, gratifying fun." -- Alma Katsu, author of The Wehrwolf

 "A brutal, bloody rampage, Agranoff has created great characters and daring storytelling. I guarantee you have never had so much fun seeing Nazis meeting their gruesome fates." – Tim Lebbon, author of The Silence and The Last Storm

 "The Last Night to Kill Nazis is a glorious exploration of culpability and trauma. A blood-soaked thrill ride bursting with frenetic energy that recalls the finest of exploitation and action films. David Agranoff looks at the horrors of the second World War with unflinching honesty, exploring a culpability that few other writers dare to. This is a book that balances exceptional depth with absolute fun and terrific characters. Come for Nazis dying horribly, and stay for the fantastic writing."-Zachary Rosenberg, author of Hungers As Old As This Land and The Long Shalom

 

"This is high-concept genre fiction, people. Agranoff has performed alchemy on those late-night History Channel documentaries like The Nazis' Supernatural Weapons and crossed it with The A-Team. This book is a possessed slaughterhouse of language and imagery, running off an engine of righteous anger and revenge. And we should be pleased. I know I am."

-Kyle Winkler, author of The Nothing That Is and Boris Says the Words