Tuesday, May 27, 2025

Book Review: Selected Satires of Lucian by Lucian of Samosata, Lionel Casson (Translator/Editor)

 


 

Selected Satires of Lucian by Lucian of Samosata, Lionel Casson (Translator/Editor)

398 pages, Paperback

First published June 1, 1968

(Again neck deep in a novel right now…So if the review suffers…sorry)

In my recent adventures with pre-Science Fiction, this is a strange one. It has also made me think about the idea that a woman invented SF. When people say that, they are often giving that credit to Shelly and the Modern Prometheus. However, know-it-alls like me will often point to 1666 and The Blazing World by Margaret Cavendish. So I was surprised when I saw mention of the satires of Lucian who lived in the outskirts of the Roman Empire around 150 AD. That was basically 19 centuries ago, and while at the time they were labeled satires or tall tales…Lucian, my dude, was writing fantasy or bizarro, but an argument can be made that it is science fiction. 

As to who Lucian was…he reminded me of a scene from the Mel Brooks movie History of the World Part one. Mel played Comicus in a scene where he goes to get a handout (from Bea Arthur)

"Occupation?"

"Standup Philosopher!"

"What?"

"Standup Philosopher. I coalesce the vapors of human experience into a viable and logical comprehension."

"Oh! A bullshit artist!"

Lucian traveled around the eastern Roman empire doing lectures, telling stories and became a noted celebrity in a 2nd-century way.  When he returned to the small town in Syria where he grew up he was amused by tons of wild stories his old friends told. The idea was that these stories were making fun of his buddies. In another words he was a bullshit artist. So keep in mind what I was reading was a translation from the sixties, but we are talking about a piece of humor that is almost 20 centuries old. A friend explained that the humor was as accessible to us as Saturday Night Live would be to someone in the Roman Empire. 

This was written on Earth, but a very different Earth. Is it recognizable as science fiction or Fantasy? Sure, but it really is a relic or an artifact of the ancient world, and fascinating as that. There is not much of a story of any kind, but you should not be coming to this book looking for a story. 

As such the Lucian is the point of view character, and the story starts with him setting out on a journey. What is interesting is when you consider that when this was written, he was talking about the final frontier of the day.

“Sometime ago, I set out on a voyage from the straits of Gibraltar. A favorable breeze carried me into the Atlantic Ocean, and I was on my way. The basic reasons for the trip were intellectual curiosity, my thirst for novelty, and the desire to find out what formed the farther border of the Ocean and what people lived there.”

 The Lucian gets weird, and of course, I love all this stuff. The idea that this island on the farthest border of the known world becomes home to a war between Moonmen, Sun creatures, and Greek gods.  Yeah, super bizarro. This island is in a spot of the world we understand because we have globes and maps of the whole planet. In the context of when this was written, it might as well be set on another planet. 

The events on this island are a war, and while some of the generals have names you might know from Greek mythology, the war itself is as bizarro as it gets. 

“We stayed the night with him as guests. At the crack of dawn his lookouts reported that the enemy was approaching, we rose and took our positions. Endymion had 100,000 troops, not counting supply corps, engineers, infantry, and contingents from foreign allies. Of the 100,000, 80,000 were buzzard cavalry and 20,000 Saladbird Cavalry. The Saladbird is an enormous bird covered all over salad greens instead of feathers; its wings look exactly like lettuce leaves.”

Birds with lettuce wings, soldiers with bean helmets, and cloud centaurs. The details of this war and this faraway island are science fictional for sure. The Moonmen seem like surreal jokes, but it is extraterrestrial characters. Lucian also writes about traveling to the moon. That trip is also great stuff.

“I want to describe the strange, new phenomena I observed during this stay on the moon.

The first is that the males and no the females do the childbearing. Marriage is with the males and there isn’t even a word for “woman.” Men under twenty-five are the wives, men over, the husbands. The embryo is carried not in the belly but in the calf. Once conception takes place, the calf swells up; after a due period of time, it is cut open and the child not yet alive, is extracted. Life is induced by placing the child, mouth open wide, toward the wind.”

There is absolutely world-building, I mean, sure it is info-dumps, but the bizarro biology of the Moonmen is really interesting.  Lucian put a lot of thought into the lack of genders and the biology of the moonmen. I mean…

“Moonmen have artificial penises, generally of ivory but, in the case of the poor, of wood; these enable them to have intercourse when they mount their mates.

They never die of old age but dissolve and turn into air, like smoke.

The diet is the same for everyone: Frog. Every Time they light a fire they grill frogs on the coals because there’s a plentiful supply flying about.”

Put aside for a moment the artificial ivory dicks, they eat flying frogs and puff into smoke when they die. The weird world-building of the moonmen might be my favorite part of this whole experience. It is awkward info-dumping of weird elements piled on, but this was the 2 century, so I found it impressive. 

The explicit nature or books and movies kinda goes up and down, but my dude Lucian certainly was randy, and it is clear he thought the philosophers of the era would bonk anyone. 

“Their attitude on sex and making love is as follows. They have intercourse with both males and females, and in public with everyone looking on; this doesn’t strike them as anything to be the least bit ashamed of. Socrates is an exception. He swore up and down that his relations were of the purest…”

As for overall thoughts. It is funny a couple of folks who had read it on a facebook thread warned me not to read it. That the satire was too out of date, that I would be bored. I was not. I had a blast reading this. I thought if was fascinating, and if you read with idea of when it was written, well that is a fun experience waiting to happen.

 


Sunday, May 4, 2025

Book Review Mapping the Interior by Stephen Graham Jones (Re-issue, re-review, podcast coverage on the way)

 

Mapping the Interior by Stephen Graham Jones

112 pages, Paperback

First published June 20, 2017

Reissued 4/2024

Bram Stoker Award for Best Long Fiction (2017)

World Fantasy Award Nominee for Novella (2018)

Audio interview 

Video of interview on Mapping...g 

So part of the idea of this book being re-released is the book is on sale for a month at  Barnes and Noble in the cafe for $5 with a drink . Just saying. I just interviewed Stephen for the podcast with the same name as this blog, it will be posted one day after this review... 

 In the canon of SGJ books MTI follows makes great sense as a sampler, and when his latest masterpiece Buffalo Huntet Hunter is in those racks of hot new releases new the front of the store, this whole cafe read makes sense for the bookseller, author and publisher. SGJ has plenty of titles deeper in the store and it is a safe bet with this sampler readers will return. 

SGJ has done werewolves with Mongrels, haunted houses with the Babysitter Lives, Slashers over a whole trilogy. After releasing this novella he would do a masterpiece that could be argued to be a ghost story, but this novella fits nicely in the gothic tradition of a short and creep exploration of the host that feels trapped. 

“I was twelve the first time I saw my dead father cross from the kitchen doorway to the hall that led back to the utility room.”

SGJ doesn’t find ghost very scary but that is why this mission statement on page 37 is so powerful. “Because - a ghost, it's basically useless, it's just a vision, a phantasm. It doesn't even make sense that it could interact with light, much less a floor for a person or clothes. Meaning it had to have some kind of organic beginning, right?”

The ghost in this story simply refuses to stay a spectre…

I tend to love authors who, just like Rodney Dangerfield don’t get no respect. It is a by-product of doing a Philip K Dick podcast I suppose but PKD died with a bibliography a mile long and a few awards but the respect for his genius didn't happen until years after his death. SGJ is the opposite. He is getting respect in awards and his continues to publish not just in the small presses but has had mainstream success a string of bestselling books.

This story also has coming of age elements and kicks off when a young man, Junior, sees a ghost of dead father late night in his kitchen. Clocking in just over 100 pages, this is a powerful and emotionally rich tale of a family haunting. It also involves the struggles of a native American family, struggling with sleepwalking and seizures. Junior has to step it up to take care of his brother because his mother is working multiple jobs to support them. He is desperate to get answers or to get close to his dead father. As I lost my mother at a young age I could relate and found these moments heartbreaking. The worst part is as Junior gets closer to his father, it seems to have a painful effect.

 For my readers looking for PKD themes. There is a thematic connection with an early PKD story The Father-Thing. I brought it up to Stephen and he said it was unintentional. Missing parents is often something of a theme in great authors.

SGJ has proven himself to be one of the great authors of genre working today, and this is a sampler.


Book Review: New Tomorrow by Cody Goodfellow

 


NewTomorrow by Cody Goodfellow

484 pages, Paperback

Expected publication July 15, 2025 by Oddness
 
Pre-order this now!
 
It is hard to stay 100% objective on a book your friend has been threatening to write for more than a decade. I have been hearing about the concept of a New Tomorrow for many years, during conversations at bizarro or comic cons. Let me say that my mental bar was very high, I thought New Tomorrow would be good, but it exceeded my expectations. 

I have been reading Cody Goodfellow for two decades, and when I read his first novel, Radiant Dawn, I was convinced that he would be as big as anyone in the horror genre. I thought he would have massive book deals, fan clubs, movies, etc. Cody is a writer’s writer. He has the respect of those of us in the serious genre lit world. A few Wonderland awards, he has accomplished many great things, but he is not the household name I think he deserves to be.

Sure books like Repo-Shark or Scum of the Earth are genius works, but they are not commercial.  I consider his horror novel Perfect Union a horror masterpiece, but it might be a little too strange for the spinner racks at drugstores. All that said this new novel while still being very Cody Goodfellow, with the right word of mouth and luck (let's be honest that is important) this is a story that should appeal to the mainstream. 

An alternate history pulp era superhero tale that could be pitched as The Boys or Watchmen in a great depression setting. Sci-fi superhero crossovers with this kind of ambition are often not ready for primetime, and they often feel like underdeveloped sketches. What is special about New Tomorrow is how it feels fully developed, like a world that has been growing for a long time.  It has the super smart and totally bat-shit crazy Cody Goodfellow hybrid that he has perfected. These are weird heroes White Devil and Kid Amoeba feel natural in this pulp era alternative.

“All this she’d learned when the real Electrocutioner died in her arms after saving the city from Dr. Gift, another suicidal lunatic who couldn’t hang himself. And still, the comics, the radio serial, the Electrocutioner Shock-Mittens, kept coming, as if their hero was old enough to vote.

So much for superheroes. She didn’t know if she would ever be worthy of the pretentious title, nor it worthy of her. She only knew she loved it.

As you can see, the heroes feel like they were torn from a classic graphic novel that has lived in your memory, but at the same time, they are totally original and natural. Goodfellow understands the world he is playing with. This alternate world feels like it is in the past of a comic book universe, but it feels adjacent to our history. A lessor author wouldn’t or couldn’t make you feel like you were in the era but this novel does just that.

“The mask craze first struck New York four years ago when a gang in pirate costumes and a bulletproof flying coupe began knocking over Jewelry stores and banks under the colorful sobriquet, The Red Hook Wreckers. A rogue mobster calling himself El Pulpo donned an octopus mask and gunned down crime boss Giuseppe Masseria in Coney Island and eluded police for six months before he was served equally rough justice by Corsair, who was unmasked as a former cop drummed out of the force for being Sicilian. That so many on both sides of this weird civil war were frustrated inventors, scientists, and engineers whose bright ideas had been suppressed by the patent office only added to fuel the controversy.”

That passage highlights what Cody brings to the alchemy of this one-in-a-million novel. A knowledge of history, both real and pulp fictional, literary talent and a weird imagination capable of supporting a marriage of all these elements into a blended family. Who else could come up with a hero like Kid Amoeba? 

“By trial and error, it had perfected its Camouflage, studying the rootless men, walking, hitching, and riding the rails. They were innocuous enough not to attract the authorities but large enough to present a target to predators.”

One of my favorite moments in the novel comes about halfway through when the pulp superhero elements fade into science fiction and alternate history. Real-life robber barrons whose names historians might recognize go to a meeting with the inventor who represents the hinge point where history changes with the invention of teleportation. It is a bad part of this culture, but how well does this technology work, in the hands of the villain…it changes everything. The change of venue makes an excellent shift in the narrative. 

“Good God,” Whitney said, “We’re not on Earth.”

“At last, the sparkling intellect that conquered the markets reveals itself,” Chalice said. “What you’re seeing is the actual hub of our operations, through our best guess is it’s on the far side of the Milky Way. Suffice to say it is a long walk home. For want of a better name, I call it Circe, after the Greek goddess of transformation and initiation.”

“So this is a kidnapping?” asked Sarnoff, who had at least some inkling of the business of force from his humble beginnings as a newspaper boy.

“Merely a demonstration. This meeting ends when I’ve said my piece, and you’ve said yours.”

The historical vibe is also one of my favorite things in the novel, and pure Cody Goodfellow.

“A Salvation Army band slowly murdered “Onward Christian Soldiers” on the corner of Tenth Avenue and 34th. The White Devil flipped a quarter into their collection Kettle as he passed, crossing 34th amid a stream of bleary-eyed men and women going to or from soul-killing jobs. The sun’s dying rays touched the roofs of tenements and smoke stacks high overhead, the leaden heat stored up from the sweltering day seeping back out of the half-molten asphalt. Everything west of 10th had been swept away by bulldozers and wrecking balls to make way for a new tunnel to Jersey.” 

 One of the best things about New Tomorrow is something I refuse to spoil, and that is the nature, backstory, and tactics of the villain; it is so well thought out. The good guys and the big bad could all hold the weight of a novel on their own, but instead, the epic treat is that we get a saga-worthy cast of characters.

The historical vibe is also one of my favorite things in the novel and pure Cody Goodfellow. Check out this part…

“A Salvation Army band slowly murdered “Onward Christian Soldiers” on the corner of Tenth Avenue and 34th. The White Devil flipped a quarter into their collection Kettle as he passed, crossing 34th amid a stream of bleary-eyed men and women going to or from soul-killing jobs. The sun’s dying rays touched the roofs of tenements and smoke stacks high overhead, the leaden heat stored up from the sweltering day seeping back out of the half-molten asphalt. Everything west of 10th had been swept away by bulldozers and wrecking balls to make way for a new tunnel to Jersey.”

It highlights the vibe, the historical feeling you get reading the novel. New Tomorrow is punching above its weight class on almost every page. It is a epic worthy of the word, that is as strange as it is ambitious. An unbelievable triumph.

Here is the problem. I don’t know if it will be discovered. I thought it was inevitable before. You have to take me seriously and read this. Then you have spread the book around. It is the reason this book will keep finding fans.