Postcards From a Dying World
News, views, book reviews and commentary from the Science Fiction and Horror fiction underground. Home of the Wonderland award nominated author of Vegan Revolution...With Zombies and Boot Boys of the Wolf Reich.
Dreams in the Witch House (Lovecraftian Rock Opera) CD
Running Time: One Hour and five minutes
Presented by The H.P. Lovecraft Historical Society
Adapting Lovecraft into other media has not always been the easiest thing for writers, directors and producers. It is one of the many reasons Lovecraftians have such interest and dread thinking about Del Toro $150 million (projected) epic take on At the mountains of Madness. One can hardly think of Re-animator as faith and often films like The Thing ( based on a John W. Campbell story) or Alien are often considered more Lovecraft than the films credited to the Lovecraft stories. Certainly a John Carpenter movie like At the Mouth of Madness feel more Lovecraftian than say Karloff’s Die Monster Die which was loosely based on Colour out of space.
In my opinion Stuart Gordan’s best Lovecraft film is Dagon ( based on the Shadow Over Innsmouth) but he also did a pretty solid while not entirely faithful version of Dreams in the Witch House. However I have now discovered a much more faithful adaptation of Dreams of the Witch House, but the most Lovecraft feeling media I have consumed since the Silent film of Call of Cthulhu.
Executive producer Mike Dalager has completed a project so wide in scope it is amazing that it was finished at all. With over a dozen voice actors and six member band that lived in various countries. Writing a rock opera based on a beloved story is challenge enough. Then organize members to record in LA, Sweden and Denmark. Get guest guitar performances from famous members of metal bands like Douglas Blair Lucek of WASP and then pay for it all when certainly no record label is backing you.
The audacity of this project is my favorite thing about it. I personally prefer a heavier brand of metal but a few of the songs are metal with excellent guitar leads. For a preexisting band like say Iron Maiden to choose to write and record a rock opera is one thing. They have an infrastructure in place. To say I am impressed by this project is an understatement. I think every library with HP Lovecraft books should have this in their collection and connected to his name in their database. I am serious about that.
The music is very well performed, some were a little more traditional rock for my taste, but it is all very, very well done. The songs range from operatic metal to straight rock, some with 90’s feeling. The most impressive part is all the songs tell the story of Dreams in the Witch House better than Stuart Gordan’s Master of horror episode. It is the story of Miskatonic University student, Walter Gilman who starts having nightmares while staying in Arkham's infamous Witch House. Brown Jenkin ( played here by Chris Laney) is a hybrid humanoid rat-like creature who torments the sleeping Mathematics genius as he unlocks the secrets of universe and opens up travel to other planes of reality.
Big thumbs up.
Check out this video for my favorite song on the record:
Or this song featuring guitar leads by WASP’s Douglas Blair Lucek
Paperback, 363 pages
Published June 1st 2009 by Virgin Books (first published April 2nd 2009)
British Fantasy Award for Best Novel (2010)
My favorite sub-genre of horror novel is Post-apocalypse. I love the classics like Alas Babylon and On the beach as well as more modern classics like Swan Song, The Road and the Stand. I had this one on the shelf for a long time and I’m sorry it took me so long to get to it. I know this will sound like hyperbole but One is much darker than any of those other novels even McCarthy’s the Road. Much like my experience reading Swan Song my heart hurt for the character’s experiencing the events of the novel.
It doesn’t have the epic scope of Swan Song but in all the good ways this was a British Swan Song. That folks is my second favorite novel of all time so keep that in mind.
I went into this novel cold. I didn’t read much about the plot and for that I was glad I didn’t. If you trust me and you are a fan of post apocalypse novels then stop right here and order the book.
So in many ways ONE is a masterpiece of the subgenre. Ironically considering the title it is like two books starting off like a straight forward end of the world novel and then in the second half becoming an excellent supernatural horror novel that is really the novel I wanted Simon Clark’s Blood Crazy to be.
Jane, who is a father and deep sea diver is deep off the coast of Britian when the majority of the human race is cooked by a massive solar flame. The first half of the novel is a painful hike across the ash cover remains of a Scotland and England burnt to a crisp. Jane needs to make it back to London in an attempt to find his son, who in his heart he admits is likely dead.
Like the McCarthy’s The Road this novel explores the nature of the relationship between Father and son. ONE however does this through a series of beautifully written letters/journals Jane keeps for his son as he survives.
In the second half of the novel Williams takes the story 5 years into the future. A disease that no one can understand is carried in the layer of ash that has coated the earth. It could be argued that the infected feral cannibal humans running around London know as Skinners in the novel are zombies. Not exactly and that sells Conrad Williams skill short. I never felt like I was reading a zombie novel, but something similar and more original.
This is my first novel by Conrad Williams but I am so impressed I plan to read everything as soon as I can get my hands on them. Best novel I have read all year and probably my second favorite reading experience behind Cody Goodfellow’s Repo Shark.
Paperback, 336 pages
Published September 1st 2001 by Mysterious Press (first published January 1st 2000)
Macavity Award Nominee for Best Mystery Novel (2001), Anthony Award Nominee for Best Novel (2001), Hammett Prize Nominee (2000), Edgar Award for Best Novel (2001)
The Bottoms is one of those novels I have been saving for the right time. Joe R. Lansdale is one of my favorite writers best known for his series Hap and Leonard and the Movie Bubba-Ho-Tep based on his short story. If you are not familiar with Lansdale he is a master story-teller who grew up in east texas. He writes some southern gothic, some horror but really Lansdale is just Lansdale an effective story teller who normally makes me laugh a lot in the time I am reading his work.
The reason I decided now was the time to read this novel was the news that a film of the Bottoms was on the way. Not only that but it will be written and directed by the team that made Frailty. That movie was the best horror movie of the year it came out and also a serial Killer story set in Texas.
The Bottoms is less horror and more mystery than Frailty but I see now this is a perfect fit. The novel has it’s horror elements including the legend of the Goat Man who provides many moments for Lansdale to show his horror chops. That said this a mystery set against the rural poverty of east Texas in the depression.
I am not a fan of first person narrative, but Lansdale being a master pulls it off to the point of being invisible most of the book. You forget at times this is a story being told by a man in an old folks home. The story works on many levels, as a mystery, an exploration of racism, A coming of age story and the unintended truths uncovered by a mystery.
Is it the most fun I have had reading Lansdale? Probably not I laugh a lot reading Hap and Leonard novels but this is the best Lansdale I’ve read. This is modern classic and a must read novel.
Hardcover, 336 pages
Published September 4th 2012 by Touchstone (first published 2011)
Ngaio Marsh Award for Best Crime Novel (2012)
In the last few years my viewing habits have switched from movies to TV more and more. This is mostly a result of TV networks and producers finally realizing the thing they have that movies don’t is the ability expand a story like novelist would. That is also why True Detective was such an effective crime show – written by a novelist it has a fine ability to tell a slow burn mystery.
Luther as a show is a bit closer to the traditional police procedural set in modern London. Cross who has written several fantastic novels (I reviewed Burials here on the blog) and two of my favorite episodes of Doctor Who does an amazing job. For my money I think Luther is a pretty well written show over-all. Effective drama, horror and mystery written an amazing detail to plotting. All three series of Luther blew me away and quickly it became one of my favorite shows. I often point as trendy as True Detective is I think Luther is a better cop show over all.
There are not a ton of episodes, but each and every one of them is written by Neil Cross who wanted to fill in the back ground of his main character in this novel –prequel.
DCI John Luther is a well intentioned cop, but he is not exactly good cop. He breaks the rules constantly because of the stress of the major homicides and kidnappings that he deals with. East London is a character in show as much as his partners and wife are. In the show he is divorced, trying to deal with the loss of his wife, here we watch the marriage fall apart and the novel sets up the events that take place in the first series.
I think this novel is fantastic and captures the feeling of the show. The story of a killer who murders pregnant women and steals their babies is as horrible as it sounds. The novel has many cringe worthy moments. It doesn’t feel like a tie-in but an extension of the story. I was glad to know this part of Luther’s story. The mystery is effective, scares delivery and none of it sacrifices character development. I think it is better to start with the Series and then read the novel. But I suppose it doesn’t ruin the show.
Oh yes you need to read this novel, and watch the show both are top notch crime fiction.